Hostname: page-component-cd9895bd7-hc48f Total loading time: 0 Render date: 2024-12-25T14:01:44.951Z Has data issue: false hasContentIssue false
  • English
  • Français

Contemporary Dance in Cuba: Técnica Cubana as Revolutionary Movement by Suki John. 2012. Jefferson, NC: McFarland & Company. 231 pp. text + 53 photos, notes, bibliography, index. $38.00 paper.

Published online by Cambridge University Press:  25 March 2014

Elizabeth Schwall
Elizabeth Schwall*
Affiliation:
Columbia University
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Information
Dance Research Journal , Volume 45 , Issue 3 , December 2013 , pp. 152 - 156
Copyright
Copyright © Congress on Research in Dance 2013 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Brill, Deirdre. 2007. “La Escuela Cubana: Dance Education and Performance in Revolutionary Cuba.” PhD diss., University of Pennsylvania.Google Scholar
Burdsall, Lorna. 2001. More Than Just a Footnote: Dancing from Connecticut to Revolutionary Cuba. Montmagny, Québec: AGMV Marquis.Google Scholar
Daniel, Yvonne. 1995. Rumba: Dance and Social Change in Contemporary Cuba. Bloomington, IN: Indiana University Press.Google Scholar
De la Fuente, Alejandro. 2001. A Nation for All: Race, Inequality, and Politics in Twentieth-Century Cuba. Chapel Hill, NC: University of North Carolina Press.Google Scholar
Dopico Black, Georgina. 1989. “The Limits of Expression: Intellectual Freedom in Postrevolutionary Cuba.” Cuban Studies 19: 107–42.Google Scholar
Fernandes, Sujatha. 2006. Cuba Represent! Cuban Arts, State Power, and the Making of New Revolutionary Cultures. Durham, NC: Duke University Press.Google Scholar
Frederik, Laurie. 2012. Trumpets in the Mountains: Theater and the Politics of National Culture in Cuba. Durham, NC: Duke University Press.Google Scholar
Gleijeses, Piero. 2002. Conflicting Missions: Havana, Washington, and Africa, 1959–1976. Chapel Hill, NC: University of North Carolina Press.Google Scholar
Guerra, Lillian. 2012. Visions of Power in Cuba: Revolution, Redemption, and Resistance, 1959–1971. Chapel Hill, NC: University of North Carolina Press.Google Scholar
Guillermoprieto, Alma. 2004. Dancing with Cuba: A Memoir of the Revolution. Translated by Allen, Esther. New York: Vintage Books.Google Scholar
Hagedorn, Katherine. 2001. Divine Utterances: The Performance of Afro-Cuban Santería. Washington, DC: Smithsonian Institution Press.Google Scholar
John, Suki. 2007. “La tecnica cubana: A Revolution in Dance.” PhD diss., University of Connecticut.Google Scholar
Lumsden, Ian. 1996. Machos, Maricones, and Gays: Cuba and Homosexuality. Philadelphia, PA: Temple University Press.Google Scholar
Miller, Nicola. 2008. “A Revolutionary Modernity: the Cultural Policy of the Cuban Revolution.” Journal of Latin American Studies 40(4): 675–96.Google Scholar
Moore, Robin D. 2006. Music and Revolution: Cultural Change in Socialist Cuba. Berkeley, CA: University of California Press.Google Scholar
Mousouris, Melinda. 2002. “The Dance World of Ramiro Guerra.” In Caribbean Dance from Abakuá to Zouk: How Movement Shapes Identity, edited by Sloat, Susanna, 56–72. Gainesville, FL: University of Florida Press.Google Scholar
Roca, Octavio. 2010. Cuban Ballet. Layton, UT: Gibbs Smith.Google Scholar
Sawyer, Mark Q. 2006. Racial Politics in Post-Revolutionary Cuba. New York, USA: Cambridge University Press.Google Scholar
Terry, Walter. 1981. Alicia and Her Ballet Nacional de Cuba. New York: Anchor Press/Doubleday.Google Scholar
Tomé, Lester. 2011. “The Cuban Ballet: Its Rationale, Aesthetics and Artistic Identity as Formulated by Alicia Alonso.” PhD diss., Temple University.Google Scholar
Viddal, Grete. 2012. “Vodú Chic: Haitian Religion and the Folkloric Imaginary in Socialist Cuba.” New West Indian Guide 86(3–4): 205–36.Google Scholar