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Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance by Anthea Kraut . 2016. New York: Oxford University Press. 336 pp., 25 photographs. $99.00 hardcover. ISBN: 9780199360369

Published online by Cambridge University Press:  19 April 2017

Lizzie Leopold
Lizzie Leopold*
Affiliation:
Northwestern University
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Type
Book Reviews
Information
Dance Research Journal , Volume 49 , Issue 1 , April 2017 , pp. 88 - 91
Copyright
Copyright © Congress on Research in Dance 2017 

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References

Works Cited

Barthes, Roland. 1977. Image, Music, Text. Translated by Heath, Stephen. New York: Hill and Wang.Google Scholar
Cherniavsky, Eva. 2006. Incorporations: Race, Nation, and the Body Politics of Capital. Minneapolis: University of Minnesota Press.Google Scholar
Ertman, Martha. 2005. Rethinking Commodification: Cases and Readings in Law and Culture. New York: New York University Press.Google Scholar
Foucault, Michel. 1977. Language, Counter-Memory, Practice: Selected Essays and Interviews by Michel Foucault. Translated by Bouchard, Donald F. and Simon, Sherry. Edited by Bouchard, Donald F.. Ithaca, NY: Cornell University Press.Google Scholar
Rose, Mark. 1993. Authors and Owners: The Invention of Copyright. Cambridge MA: Harvard University Press.Google Scholar
Vaidhyanathan, Siva. 2001. Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens Creativity. New York: New York University Press.Google Scholar