Published online by Cambridge University Press: 22 July 2014
How marvelous to observe what pure ecstasy dance brings to small children where the movement has become an exploration of the total being. “spontaneity and creativity working together toward a knowing, doing, and valuing experience” (Dimondstein 249). But dance as defined in America, when applied to the young means one thing, to the middle-aged another, and to the aged something entirely different.
The whole spectrum of movement is diminished for the aged. Within our system we have subtle culturally determined reinforcers which encourage negative self-images and attitudes as people grow old. Our society prescribes, along with what we eat, wear, and think, even how and when we shall grow old. Individuals are forced to assume the characteristic physical and mental attitudes of the aged, once they have acquired a certain number of years. The current aged population is a product of its upbringing - of the youth culture and “the Pepsi generation.” Forced into obsolescence, the bodies of the aged become “folded inward” reflecting and enforcing their withdrawal from society. Their perception of themselves as fragile is visible in their every movement.
This paper focuses on aging as a natural biological process and studies the role of movement and exercise in this process. It puts forth the thesis that regular programs of dance and movement are vital for the physical and mental well-being of the aged in our society.