Hostname: page-component-cd9895bd7-7cvxr Total loading time: 0 Render date: 2024-12-23T14:56:49.792Z Has data issue: false hasContentIssue false
  • English
  • Français

The Africanist Aesthetic in Global Hip-Hop: Power Moves, by Halifu Osumare. 2008. New York: Palgrave Macmillan. 240 pp., photographs. $65 cloth, $24.95 paper.

Published online by Cambridge University Press:  02 April 2012

Sujatha Fernandes
Sujatha Fernandes
Affiliation:
Queens College, City University of New York
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Dance Research Journal , Volume 40 , Issue 2 , Winter 2008 , pp. 97 - 99
Copyright
Copyright © Congress on Research in Dance 2008

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Work Cited

Jameson, Frederic. 1992. Postmodernism, or the Cultural Logic of Late Capitalism. Durham, NC: Duke University Press.Google Scholar
Lipsitz, George. 1997. Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place. New York: Verso.Google Scholar
Mitchell, Tony, ed. 2001. Global Noise: Rap and Hip-Hop Outside the USA. Middletown, CT: Wesleyan University Press.Google Scholar