Published online by Cambridge University Press: 22 July 2014
Barnard College, Columbia University, hosted the 2004 Barbara Stoler Miller Conference in New York City, February 20–22, 2004. Called “Contesting Pasts, Performing Futures: Nationalism, Globalization, and the performing arts in Modern South Asia,” the conference recognized the growing scholarship in the field of South Asian performing arts. Since “performing arts” as a scholastic field of inquiry arrests little attention within the complex enormity of Asian Studies conferences, and diminishingly so, South Asian performing arts occupy just as little space within performing arts conferences (Association for Theater in Higher Education, Society for Ethnomusicology, American Anthropological Association, Society of Dance History Scholars, Congress on Research in Dance, and others), the 2004 Barbara Stoler Miller Conference certainly provided one of the few opportunities open to South Asian performance artists and scholars to discuss their most contemporary research works, to demonstrate and perform, and to get to know each other.
Barbara Stoler Miller, a Milbank Professor at Barnard, was a distinguished Sanskritist with strong interests in art history. She died of cancer at age fifty-two in April 1993. Among the corpus of the Sanskrit literature translations she published is Love Song of the Dark Lord: Jayadeva's Gitagovinda (Columbia 1977), a text that has been for centuries close to the hearts of many Indian dancers, and another edited by her, Theatre of Memory: The Plays of Kalidasa (Columbia 1984), presented a topic that has earned significant popularity in Euro-American academia.