Hostname: page-component-586b7cd67f-t7fkt Total loading time: 0 Render date: 2024-11-20T07:31:28.675Z Has data issue: false hasContentIssue false

Writing Bodies: Isadora Duncan, Movement, and Metaphor

Published online by Cambridge University Press:  17 September 2015

Abstract

Building on the work of interdisciplinary literary and dance scholars from Frank Kermode to Carrie Preston, this paper attends to depictions of Isadora Duncan appearing in novels, poems, and portraits by modernist writers such as Max Eastman, John Dos Passos, and Gertrude Stein, among others. These diversely experimental texts hold in common a preoccupation with Duncan's perpetual motion, emphasizing shifts in her personal life, choreography, and performance quality over time. “Writing Bodies” theorizes the different expressive roles her image takes on, arguing that the texts use Duncan's image to query the relationship between embodied movement and its literary representations.

Type
Research Article
Copyright
Copyright © Harmony Jankowski 2015 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Appels, Jonathan Robinson. 1998. “Two Women Dancing.” The Yale Journal of Criticism 11(1): 167–74.Google Scholar
Davis, Cynthia. 2010. Charlotte Perkins Gilman: A Biography. Stanford, CA: Stanford University Press.Google Scholar
Dos Passos, John. 2000. The Big Money. New York: Houghton Mifflin.Google Scholar
Duncan, Isadora. 1927. “The Dance in Relation to Tragedy.” Theatre Arts Monthly.Google Scholar
Etscher, Gaspard. 1911. “Renaissance of the Dance.” Forum.Google Scholar
Gilman, Charlotte Perkins. 1996. The Later Poetry of Charlotte Perkins Gilman. Edited by , Denise D. Knight, . London: Associated University Presses.Google Scholar
Mallarmé, Stéphane. 1983. “Ballets.” In What Is Dance: Readings in Theory and Criticism, edited by Copeland, Roger and Cohen, Marshall, 111–15. Oxford, UK: Oxford University Press.Google Scholar
McCarren, Felicia. 2003. Dancing Machines: Choreographies in the Age of Mechanical Reproduction. Palo Alto, CA: Stanford University Press.Google Scholar
Raine, Anne. 2008. “Science, Nature Work, and the Kinaesthetic Body in Cather and Stein.” American Literature 80(4): 799830.CrossRefGoogle Scholar
Stein, Gertrude. 1993. “Orta, or One Dancing.” In A Stein Reader, edited by Dydo, Ulla E., 120–36. Evanston, IL: Northwestern University Press.Google Scholar
Untitled Review. 1908. Boston Transcript. Cited in Katherine Wolfe Papers. Isadora Duncan Clippings. Box 8, Folder 10. New York Public Library Jerome Robbins Dance Division, November 28.Google Scholar