Hostname: page-component-78c5997874-fbnjt Total loading time: 0 Render date: 2024-11-04T18:10:46.148Z Has data issue: false hasContentIssue false
  • English
  • Français

Women, Protest, and Dance: An Activist Art?

Published online by Cambridge University Press:  04 January 2013

Kristi Faulkner
Get access Rights & Permissions [Opens in a new window]

Abstract

As members of society, artists have historically served a dualistic purpose—to reflect the ideologies of the world in which they live, and to challenge those ideologies. By challenging ideologies, artists may enter into a world of social and political activism. However, can art be an effective form of protest? In this paper I explore the characteristics that allow dance to function as a form of social and political activism. Furthermore, I explore the potential implications of the female dancing body as it pertains to dance as an activist art form.

Type
Research Article
Information
Congress on Research in Dance Conference Proceedings , Volume 40 , supplement S1: Dance Studies and Global Feminisms , 2008 , pp. 90 - 94
Copyright
Copyright © The Author(s) 2008

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Bayles, David, and Orland, Ted. 1991. Art and Fear: Observations on the Perils (and Rewards) of Artmaking. Santa Cruz, CA: Image Continuum.Google Scholar
Daly, Ann. 1998. “‘Woman,’ Women, and Subversion: Some Nagging Questions from a Dance Historian.” Choreography and Dance 5 (part 1): 79–86.Google Scholar
Daly, Ann. 2002. “Dancing Democracy.” Dance Research Journal 34 (2): 8–11.CrossRefGoogle Scholar
Davis, Angela Y. 1998. “Art on the Frontline: Mandate for a People's Culture.” In The Angela Y. Davis Reader, edited by James, Joy, 235–47. Oxford: Blackwell.Google Scholar
French, Marilyn. 1993. “Is There a Feminist Aesthetic?” In Aesthetics in Feminist Perspective, edited by Hein, Hilde and Korsmeyer, Caroline, 68–76. Bloomington: Indiana University Press.Google Scholar
Hewitt, Andrew. 2005. Social Choreography: Ideology as Performance in Dance and Everyday Movement. Durham, NC: Duke University Press.CrossRefGoogle Scholar
Kester, Grant H. 1998. Art Activism and Oppositionality: Essays from Afterimage. Durham, NC: Duke University Press.Google Scholar
Sanchez-Colberg, Ana. 1993. “‘You put your left foot in, then you shake it all about …‘: Excursions and Incursions into Feminism and Bausch's Tanztheater.” In Dance, Gender, and Culture, edited by Thomas, Helen, 151–63. London: Macmillan.CrossRefGoogle Scholar
West, Guida, and Blumberg, Rhoda Lois. 1990. “Reconstructing Social Protest from a Feminist Perspective.” In Women and Social Protest, 3–35. Oxford: Oxford University Press.Google Scholar
Wolff, Janet. 1997. “Reinstating Corporeality: Feminism and Body Politics.” In Meaning in Motion, edited by Desmond, Jane C., 81–100. Durham, NC: Duke University Press.Google Scholar