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Fall and Rise: The Transference and Transformations of a Vision of Dance

Published online by Cambridge University Press:  04 January 2013

Deborah Jowitt
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Abstract

Doris Humphrey applied her principle of Fall and Recovery not only to the movements she choreographed but also to the architecture of her dances. José Limón, who learned about choreography from her teaching and example, adapted her ideas to his own compositions.

Type
Research Article
Information
Congress on Research in Dance Conference Proceedings , Volume 39 , supplement S1: Choreographies Of Migration: Patterns Of Global Mobility , 2007 , pp. 121 - 123
Copyright
Copyright © The Author(s) 2007

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References

Works Cited

Cohen, Selma Jeanne. 1972. Doris Humphrey: An Artist First. Middletown CT: Wesleyan University Press.Google Scholar
Duncan, Irma. 1966. Duncan Dancer: An Autobiography of Irma Duncan. Middletown, CT: Wesleyan University Press.Google Scholar
Limón, José. 1999. José Limón: An Unfinished Memoir. Edited by Garafola, Lynn. Hanover, NH: University Press of New England.Google Scholar
McDonagh, Don. 1973. Martha Graham: A Biography. New York: Praeger.Google Scholar
Siegel, Marcia B. 1987. Days on Earth: The Dance of Doris Humphrey. New Haven, CT: Yale University Press.Google Scholar
Soares, Janet Mansfield. 1992. Louis Horst: Musician in a Dancer's World. Durham, NC: Duke University Press.Google Scholar