Published online by Cambridge University Press: 04 January 2013
How can we make the history of dance meaningful for the practitioners of the future that we teach? In this presentation, I argue that we need a genealogical and metahistorical perspective to teaching history. Our students need to understand history not as something to be known but as something written and created and therefore constantly changing. It is possible to teach a canon critically, to make past dances and our need of these past dances relevant for today's practice.