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Published online by Cambridge University Press: 02 August 2016
This paper investigates the roles and situation of the institutional and non-institutional organizations within Italian contemporary dance and performance scene (focused on the Veneto Region), by looking at structures, collectives, self-organized movements, and socio-political landscapes from the beginning of the financial crisis (2009). To what extent are the influences of institutions evident in the Italian contemporary dance scene in the era of crisis? How does the lack of institutional support affect the inter-relationship between artists and the socio-political landscape? Which desires and necessities are bringing the emerging non-institutional groups?