Hostname: page-component-78c5997874-ndw9j Total loading time: 0 Render date: 2024-11-19T13:20:07.675Z Has data issue: false hasContentIssue false
  • English
  • Français

Between Boundaries of Tradition and Global Flows: Reimagining Communities in Kathak Dance

Published online by Cambridge University Press:  02 August 2016

Katarzyna Skiba
Get access Rights & Permissions [Opens in a new window]

Abstract

The aim of the paper is to examine the ongoing transformation in Kathak art and practice, in response to demands of global markets, sensibilities of new audiences, and the artists' personal need for self-expression. The paper explores why classical Indian dancers push the barriers of Kathak tradition, and how they redefine the idea of authenticity. Do the innovative choreographies indicate an increasing shift toward individualization, transnationalism, and cultural pluralism, or rather do they attempt to renegotiate the notions of “Indianness”? To what extent is genre hybridity considered as an emerging aesthetic value that reflects complex, multi-layered identities of the performers?

Type
Research Article
Information
Congress on Research in Dance Conference Proceedings , Volume 2016 , Fall 2016 , pp. 386 - 397
Copyright
Copyright © Katarzyna Skiba 2016 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Allen, Matthew H. 1997. “Rewriting the Script for South Indian Dance.” Drama Review 41(3): 63–100.CrossRefGoogle Scholar
Appadurai, Arjun. 2005. Nowoczesność bez granic. Kulturowe wymiary globalizacji. [Modernity at Large: Cultural Dimensions of Globalization.] Translated by Pucek, Zbigniew. Krakow, Poland: Universitas.Google Scholar
Bakhle, Janaki. 2005. Two Men and Music. Nationalism in the Making of an Indian Classical Tradition. Ranikhet, India: Permanent Black.CrossRefGoogle Scholar
Bauman, Zygmunt. 2011. Kultura w płynnej nowoczesności. Warsaw: Agora S.A. Google Scholar
Chakravorty, Pallabi. 2000/2001. “From Interculturalism to Historicism: Reflections on Classical Indian Dance.” Dance Research Journal 32(2): 108–119.CrossRefGoogle Scholar
Chakravorty, Pallabi. 2008. Bells of Change: Kathak Dance, Women, and Modernity in India. Calcutta: Seagull.Google Scholar
Chatterjee, Partha. 1993. The Nation and Its Fragments: Colonial and Postcolonial Histories. Princeton, NJ: Princeton University Press.Google Scholar
Coorlawala, Uttara Asha, 2004. “The Sanskritized Body.” Dance Research Journal 36(2): 50–63.CrossRefGoogle Scholar
Edensor, Tim. 2004. Tożsamość narodowa, kultura popularna i życie codzienne. [National Identity, Popular Culture and Everyday Life.] Translated by Sadza, Agata. Kraków, Poland: WUJ.Google Scholar
Katrak, Ketu. 2011. Contemporary Indian Dance: New Creative Choreography in India and the Diaspora. New York: Palgrave Macmillan.CrossRefGoogle Scholar
Khanam, Rani, in interview with Rajan, Anjana. 2013. “Unveiled!” Hindu, July 25. http://www.thehindu.com/features/friday-review/dance/unveiled/article4952766.ece. Accessed April 21, 2016.Google Scholar
Lakhia, Kumudini. 1995. Kathak/Kumudini. Nritya Parva. Ahmedabad, India: Abhigam.Google Scholar
Raghavan, V. 1956. “Variety and Integration in the Pattern of Indian Culture.” Far Eastern Quarterly 15(4): 497–505.CrossRefGoogle Scholar
Raghavan, V. 2002. “Bridges.” In Women Who Dared. Ed. Ritu Menon. New Delhi: National Book Trust.Google Scholar
Said, Edward. 1996. “Kultur und Identität—Selbstfindung aus der Einverleibung der Welt.” Lettre International 34: 21–25.Google Scholar
Shah, Reena. 2005. Movement in Stills: The Dance and Life of Kumudini Lakhia. Ahmedabad, India: Mapin Publishing Pvt. Ltd.Google Scholar
Sharma, Narendra. 2010. “Contemporary Sensibilities: An Introduction.” In Indian Contemporary Dance Extravaganza, edited by Banerjee, Utpal. Gurgaon, India: Shubhi Publications.Google Scholar
Shivashankar, Praveen. 2012. “Communion with God.” Hindu, June 14. http://www.thehindu.com/arts/communion-with-god/article3523981.ece. Accessed April 21, 2016.Google Scholar
Srinivas, Mysore Narasimhachar. 1956. “Sanskritization and Westernization.” Far Eastern Quarterly 15(4): 481–496.CrossRefGoogle Scholar
Walker, Margaret Edith. 2004. “Kathak Dance: A Critical History.” Ph.D. diss., University of Toronto.Google Scholar
Welsch, Wolfgang. 1998. “Transkulturowość. Nowa koncepcja kultury.” In Filozoficzne konteksty rozumu transwersalnego. Wokół koncepcji Wolfganga Welscha, edited by Kubicki, Roman. Poznan, Poland: Wydawnictwo Fundacji Humaniora.Google Scholar