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From Shanties to Lace Curtains: The Irish Image in Puck, 1876–1910

Published online by Cambridge University Press:  03 June 2009

John J. Appel
John J. Appel
Affiliation:
Michigan State University
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Extract

Students of drama, magazine fiction and novels know that virtually every nationality and minority group has been represented by a stereotype in print and on the stage. Social scientists generally discuss stereotypes as components of prejudiced beliefs accompanied by strong, unexamined reactions of dislike or approval. Historians and specialists in literature do not equate stereotyping with prejudice. Instead, they emphasize the origin of stereotypes as routinized, crude or at least oversimplified classifications of multifaceted characters and situations.

Type
Perception of Ethnic and Cultural Differences
Information
Comparative Studies in Society and History , Volume 13 , Issue 4 , October 1971 , pp. 365 - 375
Copyright
Copyright © Society for the Comparative Study of Society and History 1971

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References

1 Mott, Frank L., A History of American Magazines (Cambridge, Mass., 1938), III, Supplement, ‘Puck’ and ‘Judge’.Google Scholar

2 Hill, L. Draper, ‘What Fools These Mortals Be’. A Study of the Work of Joseph Keppler, Founder of Puck, Harvard Honors History Thesis, Cambridge, 1957. Mr. Hill corrected a number of errors in the draft version of this essay, allowed me to read and quote from his unpublished History Honors Thesis, and lent materials from his collection. I am pleased to be able to thank him here for his repeated courtesies.Google Scholar

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17 Other books consulted include Frederic, Harold, The Damnation of Theron Ware (Cambridge, Mass., 1960)Google Scholar; George, Dorothy M., English Political Caricature: 1793–1832 (Oxford, 1959)Google Scholar; Hill, L. Draper, Mr. Gillray, the Caricaturist (London, 1965)Google Scholar; Bunner, H. C., editor, A Selection of Cartoons from Puck by Joseph Keppler (New York, 1893)Google Scholar; Murrell, William, A History of American Graphic Humor (New York, 1933)Google Scholar; Beer, Thomas, The Mauve Decade (New York, 1961)Google Scholar, Chapter 4, ‘Dear Harp’; Stephen Hess and Milton Kaplan, The Ungentlemanly Art (New York, 1968)Google Scholar; George, Mary D., Catalogue of Political and Personal Satires preserved in the … British Museum (London, 1935)Google Scholar; Gombrich, E. H., Art and Illusion (New York, 1961)Google Scholar; Curtis, L. Perry Jr., Apes and Angels, The Irishman in Victorian Caricature (Washington, D.C.: 1971). Travel, research and photoduplication expenses for this study were supported by a Michigan State University faculty research grant and a visiting scholar appointment at the Smithsonian Institution, Washington, D.C. in 1969–70.Google Scholar