Hostname: page-component-586b7cd67f-2brh9 Total loading time: 0 Render date: 2024-11-23T04:45:57.155Z Has data issue: false hasContentIssue false

Some Things That Have Happened to The Sun After September 1965: Politics and the Interpretation of an Indonesian Painting

Published online by Cambridge University Press:  25 April 2012

Kenneth M. George
Affiliation:
University of Oregon

Extract

As most tell the story, the mysterious and fearful twilight of Sukarno's Indonesia began in Jakarta sometime after sundown on the last day of September 1965. That night and in the early hours of October 1, a group led by leftist, middle-ranking military officers calling themselves the September Thirtieth Movement kidnapped and killed six generals in an attempted putsch. In its radio broadcasts the following morning, the movement announced its loyalty to President Sukarno and claimed that it had acted in order to thwart a coup planned by a ‘Council of Generals.’ In the year leading up to the putsch, the president's hold on power had been strained by the increasing polarization between the army and disaffected Muslims on the one hand, and Sukarno and the PKI—the Indonesian Communist Party (Partai Kommunis Indonesia)— on the other. Sukarno's ill health, factionalism within military ranks, and the shadow of the U.S. Central Intelligence Agency (CIA) only added to the anxiety and uncertainty. It is unclear whether this Council of Generals had anything more than a phantom existence. What is clear is that the head of the strategic reserve command in Jakarta, Major General Soeharto, was quick to manipulate the situation and bring the movement to a halt within hours. In an evening radio broadcast on October 1, Soeharto described the putsch as a counter-revolutionary movement and told listeners that the army and police under his leadership had regained control.

Type
Culture and Politics
Copyright
Copyright © Society for the Comparative Study of Society and History 1997

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

REFERENCES

Althusser, Louis, 1971. “Lenin and Philosophy” and Other Essays, Brewster, B., trans. London: New Left Press.Google Scholar
Anderson, Bendedict O. G.; and McVey, Ruth, 1971. A Preliminary Analysis of the October 1, 1965 Coup in Indonesia. Ithaca: Cornell Modern Indonesia Project.Google Scholar
Appadurai, Arjun, ed. 1986. “Introduction: Commodities and the Politics of Value,” in The Social Life of Things: Commodities in Cultural Perspective, 3–63. Cambridge: Cambridge University Press.CrossRefGoogle Scholar
Appadurai, Arjun, 1996. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press.Google Scholar
Baxandall, Michael, 1972. Painting and Experience in Fifteenth-Century Italy: A Primer in the Social History of Pictorial Style, 2nd ed. Oxford: Oxford University Press.Google Scholar
Baxandall, Michael, 1985. Patterns of Intention: On the Historical Explanation of Pictures. New Haven: Yale University Press.Google Scholar
Benjamin, Walter, 1978. “Theses on the Philosophy of History,” in Illuminations, 253–64. New York: Schocken.Google Scholar
Briggs, Charles L. 1996. “The Politics of Discursive Authority in Research on the ‘vinvention of Tradition.’” Cultural Anthropology, 11:4, 435–69.CrossRefGoogle Scholar
Buchari, Machmud; and Yuliman, Sanento. 1985. A. D. Pirous: Painting, Etching, and Serigraphy 1960–1985 Retrospective Exhibition. Bandung: Galeri Decenta.Google Scholar
Chambers, Ross. 1991. Room for Maneuver: Reading (the) Oppositional (in) Narrative. Chicago: University of Chicago Press.Google Scholar
Cribb, Robert, ed. 1990. The Indonesian Killings, 1965–1966: Studies from Java and Bali. Clayton: Center of Southeast Asian Studies, Monash University.Google Scholar
Crouch, Harold. 1978. The Army and Politics in Indonesia. Ithaca: Cornell University Press.Google Scholar
Dermawan, T., Agus, . 1990. “Contemporary Indonesian Painting 1950–1990,” in Streams of Indonesian Art: From Prehistoric to Contemporary, KusumaAtmadja, M. et al. , eds., 105–63. Bandung: Committee of Festival of Indonesia 1990–1991.Google Scholar
Dirks, Nicholas B. 1990. “History as a Sign of the Modern.” Public Culture, 2:2, 2532.CrossRefGoogle Scholar
Errington, Shelly. 1989Fragile Traditions and Contested Meanings.” Public Culture, 1:2, 4959.CrossRefGoogle Scholar
Fabian, Johannes. 1996. Remembering the Present: Painting and Popular History in Zaire. Berkeley: University of California Press.CrossRefGoogle Scholar
Fish, Stanley. 1989. Doing What Comes Naturally: Change, Rhetoric, and the Practice of Theory in Literary and Legal Studies. Durham: Duke University Press.Google Scholar
Fish, Stanley. 1994. There's No Such Thing as Free Speech, and It's a Good Thing, Too. New York: Oxford University Press.Google Scholar
Foulcher, Keith. 1986. Social Commitment in Literature and the Arts: The Indonesian “Institute of People's Culture” 1950–1965. Monash University Centre of Southeast Asian Studies Monograph Papers on Southeast Asia no. 15. Clayton: Monash University.Google Scholar
Foulcher, Keith. 1990. “Making History: Recent Indonesian Literature and the Events of 1965,” in The Indonesian Killings, 1965–1966, Cribb, Robert, ed., 101–20. Clayton: Center of Southeast Asian Studies, Monash University.Google Scholar
Gallagher, Catherine. 1989. “Marxism and the New Historicism,” in The New Historicism, Veeser, H. Aram, ed., 3748. New York: Routledge.Google Scholar
Geertz, Clifford. 1990. “Popular Art and the Javanese Tradition.” Indonesia, 50:7794.CrossRefGoogle Scholar
George, Kenneth M. 1995. Review of Soul, Spirit, and Mountain: Preoccupations of Contemporary Indonesian Painters, by Wright, Astri. Journal of Asian Studies, 54:2, 646–8.CrossRefGoogle Scholar
Graff, Gerald. 1989. “Co-optation,” in The New Historicism, Veeser, H. Aram, ed., 168–81. New York: Routledge.Google Scholar
Grewal, Inderpal; and Kaplan, Caren. 1994. “Introduction: Transnational Feminist Practices and Questions of Postmodernity,” in Scattered Hegemonies: Postmodernity and Transnational Feminist Practices, Grewal, I. and Kaplan, C., eds., 136. Minneapolis: University of Minnesota Press.Google Scholar
Hefner, Robert W. 1990. The Political Economy of Mountain Java: An Interpretive History. Berkeley: University of California Press.CrossRefGoogle Scholar
Hill, David T. 1993. “The Two Leading Institutions: Taman Ismail Marzuki and Horison,” in Culture and Society in New Order Indonesia, Virginia, M.Hooker, , ed., 245–62. Kuala Lumpur: Oxford University Press.Google Scholar
Hinz, Berthold. 1970. “Der ‘Bamberg Reiter’,” in Das Kunstwerk zwischen Wissenschaft und Weltanschauung. Köln: Glutersloh.Google Scholar
Holt, Claire. 1967. Art in Indonesia: Continuities and Change. Ithaca: Cornell University Press.Google Scholar
Holt, Claire. 1970. Indonesia Revisited. Indonesia, 9:163–88.CrossRefGoogle Scholar
Hooker, Virginia Matheson; and Dick, Howard. 1993. “Introduction,” in Culture and Society in New Order Indonesia, Hooker, Virginia M., ed., 123. Kuala Lumpur: Oxford University Press.Google Scholar
King, Anthony D., ed. 1991. Culture, Globalization and the World-System: Contemporary Conditions for the Representation of Identity. Binghampton: Department of Art and Art History, State University of New York at Binghampton.CrossRefGoogle Scholar
Kleinman, Arthur; and Kleinman, Joan. 1994. “How Bodies Remember: Social Memory and Bodily Experience of Criticism, Resistance, and Delegitimation Following China's Cultural Revolution.” New Literary History, 25:3, 707–23.CrossRefGoogle Scholar
Laber, Jeri. 1997. “Smoldering Indonesia.” New York Review of Books, 44:1 (January 9), 4045.Google Scholar
Legge, J. D. 1980. Indonesia, 3rd ed. Sydney: Prentice-Hall of Australia.Google Scholar
Luke, Timothy W. 1992. Shows of Force: Power, Politics, and Ideology in Art Exhibitions. Durham: Duke University Press.Google Scholar
McDonald, Hamish. 1980. Suharto's Indonesia. Melbourne: Fontana.Google Scholar
McGann, Jerome J. 1991. The Textual Condition. Princeton: Princeton University Press.Google Scholar
Maklai, Brita. 1993. “New Streams, New Visions: Contemporary Art Since 1966,” in Culture and Society in New Order Indonesia, Virginia, M. Hooker, , ed., 7083. Kuala Lumpur: Oxford University Press.Google Scholar
Mani, Lata. 1989. “Multiple Mediations: Feminist Scholarship in the Age of Multinational Reception.” Inscriptions, 5:124.Google Scholar
Miklouho-Maklai, Brita. 1991. Exposing Society's Wounds: Some Aspects of Contemporary Indonesian Art Since 1966. Asian Studies Monograph Series, No. 5. Adelaide: Flinders University.Google Scholar
Mohamad, Goenawan. 1993. “Pasemon on Allusion and Illusions.” Tenggara, 31:5061.Google Scholar
O'Doherty, Brian. 1986. Inside the White Cube: The Ideology of the Gallery Space. Santa Monica: Lapis Press.Google Scholar
Ortner, Sherry B. 1995. “Resistance and the Problem of Ethnographic Refusal.” Comparative Studies in Society and History, 37:1, 173–93.CrossRefGoogle Scholar
Pan, Tianshu. 1995. “Criticism, Coercion, Confession, and Memories of Bitterness under State Socialism: The Chinese Experience (1949-present).” Unpublished seminar manuscript.Google Scholar
Peacock, James L. 1968. Rites of Modernization: Symbolic and Social Aspects of Indonesian Proletarian Drama. Chicago: University of Chicago Press.Google Scholar
Pemberton, John. 1994. On the Subject of “Java”. Ithaca: Cornell University Press.CrossRefGoogle Scholar
Pirous, A. D. 1964. “Seni Pariwara sebagai Alat Propaganda Perdjoangan.” (Poster Art as a Instrument of Propaganda for [National] Struggle). Thesis, Department of Fine Arts, Bandung Institute of Technology.Google Scholar
Pirous, A. D.; and Setiawan Sabana. 1995. “Developments and Current Issues in Contemporary Indonesian Art.” Unpublished manuscript.Google Scholar
Ricklefs, M. C. 1993. A History of Modern Indonesia Since c.1300, 2nd. ed. Stanford: Stanford University Press.CrossRefGoogle Scholar
Rofel, Lisa. 1991. “Violence in the Quotidian: Fragments of a Cultural Revolution Memory.” Paper presented at the Annual Meeting of the American Anthropological Association. Unpublished manuscript.Google Scholar
Rosen, Lawrence, ed. 1995. Other Intentions: Cultural Contexts and the Attribution of Inner States. Santa Fe: School of American Research Press.Google Scholar
Said, Edward. 1983. “Opponents, Audiences. Constituencies and Community,” in The Anti-Aesthetic: Essays on Postmodern Culture, Foster, Hal, ed., 135–59. Seattle: Bay Press.Google Scholar
Schwarz, Adam. 1994. A Nation in Waiting: Indonesia in the 1990's. Boulder: Westview.Google Scholar
Sen, Krishna. 1991. “The Politics of Melodrama in Indonesian Cinema.” East-West Film Journal, 5:1, 6781.Google Scholar
Siegel, James T. 1979. Shadow and Sound: The Historical Thought of a Sumatran People. Chicago: Chicago University Press.Google Scholar
Southwood, Julie; and Flanagan, Patrick. 1983. Indonesia: Law, Propaganda and Terror. London: Zed Press.Google Scholar
Spanjaard, Helena. 1988. “Free Art: Academic Painters in Indonesia,” in Kunst uit een Andere Wereld (Art from Another World). Faber, Paul, Linden, Liane van der, and Tulmans, Mien, eds., 103–32. Rotterdam: Museum voor Volkenkunde Rotterdam.Google Scholar
Spanjaard, Helena. 1990. “Bandung, the Laboratory of the West?,” in Modern Indonesian Art: Three Generations of Tradition and Change, 1945–1990, Fischer, Joseph, ed., 5477. New York: Festival of Indonesia.Google Scholar
Spanjaard, Helena. 1993. “The Controversy between the Academies of Bandung and Yogyakarta,” in Modernity in Asian Art, Clark, John, ed., 85104. Sydney: Wild Peony.Google Scholar
Sulistyo, Hermawan. 1995. “The Making of History: The State's Role in the Shaping of Mass Consciousness of the Indonesian Uprisings of 1965–1966.” Paper at the Twelfth Annual Southeast Asia Conference (“Human Rights in Southeast Asia”), University of California, Berkeley. Unpublished manuscript.Google Scholar
Thomas, Brook. The New Historicism and Other Old-Fashioned Topics. Princeton: Princeton Univeristy Press.Google Scholar
Toer, Pramoedya Ananta. 1992. “The Theft of Rights.” New York Times, December 7.Google Scholar
van Langenberg, Michael. 1990. “Gestapu and State Power in Indonesia.” in The Indonesian Killings, 1965–1966, Cribb, Robert. ed., 4562. Clayton: Center of Southeast Asian Studies, Monash University.Google Scholar
Vatikiotis, Michael R. J. 1993. Indonesian Politics under Soeharto: Order, Development, and Pressure for Change. New York: Routledge.CrossRefGoogle Scholar
von der Borch, Rosslyn. 1988. Art and Activism: Some Examples from Contemporary Central Java. Asian Studies Monograph Series, No. 4. Adelaide: Flinders University.Google Scholar
Watson, Rubie S., ed. 1994. Memory, History, and Opposition under State Socialism. Santa Fe: School of American Research.Google Scholar
Werckmeister, O. K. 1982. “Radical Art History.” Art Journal 42:4, 284–91.CrossRefGoogle Scholar
Wolff, Janet. 1993. The Social Production of Art, 2nd ed. New York: New York University Press.CrossRefGoogle Scholar
Wright, Astri. 1994. Soul, Spirit, and Mountain: Preoccupations of Contemporary Indonesian Painters. Kuala Lumpur: Oxford University Press.Google Scholar
Wright, Astri. 1996. “A Taste of Soil: Dadang Christianto on Systemic Violence.” ART AsiaPacific, 3:1, 7477.Google Scholar
Yampolsky, Philip. 1995. “Forces for Change in the Regional Performing Arts of Indonesia.” Bijdragen tot de Taal-, Land-, en Volkenkunde, 15:4, 700–25.CrossRefGoogle Scholar