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Object Lessons and Ethnographic Displays: Museum Exhibitions and the Making of American Anthropology

Published online by Cambridge University Press:  03 June 2009

David Jenkins
Affiliation:
Massachusetts Institute of Technology

Extract

In the early nineteenth century, many private, well-to-do persons collected rocks, minerals, fossils, insects, skeletons, animal skins, Indian artifacts, and so on, for their aesthetic appeal or mystical connotations. Their fragmentary and miscellaneous collections incited wonder and admiration in those privileged to see them while communicating a narrative of the prestige, esoteric knowledge, and adventurous spirit of the collector. Referring to aesthetic and mystical, rather than scientific criteria, collectors juxtaposed a seemingly incongruous hodge-podge of objects in their cabinets—armadillos and ostrich eggs, quartz crystals and rattlesnake rattles, for example. These collectors sought to celebrate the stability of their belief systems through the commonly understood marginality of the strange freaks and curiosities that sparked their imaginations. The rare, abnormal, bizarre, and the old were especially valued.

Type
Exhibitionism
Copyright
Copyright © Society for the Comparative Study of Society and History 1994

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References

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Quoted in Parezo, Nancy J., “Cushing as Part of the Team: The Collecting Activities of the Smithsonian Institution,” American Ethnologist, 12:4 (11 1985), 769.CrossRefGoogle Scholar

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48 See Rydell, , All the World's a Fair, chs. 1–2, 1071.Google Scholar On science and race, see Stanton, William, The Leopard's Spots: Scientif?c Attitudes Toward Race in America, 1815–1859 (Chicago: Chicago University Press, 1960).Google Scholar On race and American Indians, see Drinnon, Richard, Facing West: The Metaphysics of Indian-Hating and Empire Building (Minneapolis: University of Minnesota Press, 1980).Google Scholar For an overview of the history of European conceptions of American Indians, see Berkhofer, Robert F. Jr.,, “White Conceptions of Indians,” Handbook of North American Indians, vol. 4 (Washington: Smithsonian Institution, 1988).Google Scholar

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65 On this debate see Hinsley, , Savages and Scientists, ch. 4;Google ScholarGeorge, Stocking, Jr., “Introduction,” in The Shaping of American Anthropology, 1883–1911 (New York: Basic Books, 1974),Google Scholar and “From Physics to Ethnology,” in Race, Culture, and Evolution (Chicago: University of Chicago Press, 1982);Google ScholarDarnell, Regena Diebold, The Development of American Anthropology 1879–1920: From the Bureau of American Ethnology to Franz Boas (Ph.D. dissert., University of Pennsylvania, 1969Google Scholar (Ann Arbor: University Microfilms); Mark, Joan, Four Anthropologists: An American Science in its Early Years (New York: Science History Publications, 1980), 3236;Google ScholarHyatt, Marshall, Franz Boas—Social Activist: The Dynamics of Ethnicity (New York: Greenwood Press, 1990), 1821;Google ScholarBuettner-Janush, John, “Boas and Mason: Particularism versus Generalization,” American Anthropologist, 59:2 (04 1957).Google Scholar This debate about proper classification was not new or exclusively anthropological. See Daniels, , American Science in the Age of Jackson, 102–3, for an earlier example concerning minerals.Google Scholar

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67 Claude Lèvi-Strauss nicely characterizes the incoherence of the biological analogy to human inventions.

For even if the concept of species should be discarded once and for all in the development of genetics, what made—and still makes—the concept valid for the natural historian is the fact that a horse indeed begets a horse and that, in the course of a sufficient number of generations, Equus caballus is the true descendant of Hipparion. The historical validity of the naturalist's reconstructions is guaranteed, in the final analysis, by the biological link of reproduction. An ax, on the contrary, does not beget another ax. There will always be a basic difference between two identical tools, or two tools which differ in function but are similar in form, because one does not stem from the other; rather, each of them is the product of a system of representations.

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75 Mason, , “The Occurrence of Similar Inventions in Areas Widely Apart,” 534.Google Scholar Goode offered a variation on this theme: Unable to decide whether the correct classification for cultural material was by function or by cultural association, he arranged such items according to a double classification in the halls of his museum. He carefully equipped his exhibit cases with casters and, in a matter of an hour or two, could have the entire display rearranged by either function or cultural association as the need required. However, the triumph of scientific influence is apparent in the fact that he regarded the functional classification as the “permanent” arrangement, and the cultural one as only temporary.

Lindsay, G. Carroll, “George Brown Goode,” in Keepers of the Past, Lord, Clifford L., ed. (Chapel Hill: University of North Carolina Press, 1965), 138.Google Scholar

76 See Wolf, Eric, Europe and the People Without History (Berkeley: University of California Press, 1982);Google ScholarWhite, Richard, The Middle Ground: Indians, Empires, and Republics in the Great Lakes Region, 1650–1815 (Cambridge: Cambridge University Press, 1991).CrossRefGoogle Scholar Unlike, however, these modern orientations, Powell maintained an evolutionary perspective that relied on Morgan, Lewis Henry, Ancient Society, or Researches in the Lines of Human Progress From Savagery Through Barbarism to Civilization (New York: Henry Holt, 1877).Google Scholar

77 Powell, John Wesley, “Museums of Ethnology and Their Classification,” Science, 9 (06 1887), 612–4.CrossRefGoogle ScholarPubMed

81 Boas, , “Museums of Ethnology and their Classification,” 614.Google Scholar The emphasis upon the singular in nature of course predates Boas. See Stafford, Barbara Maria, “Toward Romantic Landscape Perception: Illustrated Travels and the Rise of ‘Singularity’ as an Aesthetic Category,” Art Quarterly (n.s.), 1 (Autumn 1977), 89124,Google Scholar and Voyage Into Substance: Art, Science, Nature, and the Illustrated Travel Account, 1740–1860 (Cambridge: The Massachusetts Institute of Technology Press, 1984).Google Scholar

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83 Boas, Franz, Ethnological Collections from the North Pacific Coast of America: Being a Guide of Hall 105,Google Scholar quoted in Jacknis, , “Franz Boas and Exhibits,” 100.Google Scholar

84 Frederic Ward Putnam Papers (Correspondence. Harvard University Archives), quoted in Jacknis, , “Franz Boas and Exhibits,” 101.Google Scholar

85 Jacknis, , “Franz Boas and Exhibits”.Google Scholar

86 Franz Boas, Frederic Ward Putnam Papers, quoted in Jacknis, , “Franz Boas and Exhibits,” 104.Google Scholar

87 Breckenridge, Carol A., “The Aesthetics and Politics of Colonial Collecting: India at World Fairs,” 212.Google Scholar

88 For example, Boas, Franz, “Some Principles of Museum Administration,” Science n.s., 25:650 (06 14, 1907), 924.CrossRefGoogle ScholarPubMed

89 Jacknis, , “Franz Boas and Exhibits,” 105.Google Scholar

90 Indeed, displays based on Boas's principles were as much typifications and idealizations as displays based on evolutionary principles. On this point, see Dorsey's, letter to the editor, Science, 641 (April 12, 1907)Google Scholar and Boas's, reply, “Some Principles of Museum Administration,” Science, 650 (06 14, 1907).Google Scholar See also Mark, , Four Anthropologists, 4850.Google Scholar

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93 Stewart, Susan, On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection (Baltimore: The Johns Hopkins University Press, 1984), 153.Google Scholar

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95 Such a reverence for organization is apparent in other nineteenth-century collections, such as fairs and department stores. See Harris, Neil, “Museums, Merchandising, and Popular Taste: The Struggle for Influence,” in Material Culture and the Study of American Life, Quimby, Ian M. G., ed. (New York: W. W. Norton and Company, 1978).Google Scholar

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