Hostname: page-component-78c5997874-mlc7c Total loading time: 0 Render date: 2024-11-03T02:22:59.574Z Has data issue: false hasContentIssue false

Plautus, Rudens 83–88

Published online by Cambridge University Press:  27 February 2009

H. D. Jocelyn
Affiliation:
University of Sydney

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review Article
Copyright
Copyright © The Classical Association 1966

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

2 Cf. Engelmann, , Annali Ist. Corresp. Archeol. xliv (1872), 518Google Scholar, Beiträge zu Euripides, i. Alkmene (Berlin, 1882), pp. 4ff.Google Scholar, Archäologische Studien zu den Tragikern (Berlin, 1900), pp. 5262Google Scholar; Wilamowitz, , Euripides' Herakles (Berlin, 1889), p. 298 n. 54Google Scholar; Séchan, , Études sur la tragédie grecque dans ses rapports avec le céramique (Paris, 1926), pp. 242248Google Scholar; Webster, , Studies in Later Greek Comedy (Manchester, 1953) P. 87Google Scholar; Sedgwick, , Plautus, Amphitruo (Manchester, 1960), pp. 23.Google Scholar

3 Cf. Fraenkel, , Plautinisches im Plautus (Berlin, 1922), pp. 6869 (PP. 64–65 of the Italian translation (Florence, 1962)Google Scholar; see the addenda, p. 403, on ‘Claudiana tonitrua’); Marx, , Plauti Rudens, Abh. Sächs. Ak., Phil.-Hist. Kl. v, xxxviii (1928), p. 73Google Scholar; Thier-felder, , T. Maccius Plautus, Rudens (Heidelberg, 1962), p. 107.Google Scholar

4 Fraenkel's suggestion that Plautus' audience knew this play from a Latin adaptation and that Plautus rather than Diphilus coined the phrase under discussion is attractive.

5 For this mode of referring to the heroes and heroines of particular tragedies cf. Cicero Tusc. iv. 67 Naeuianus ille … Hector, Fin. iv. 62 Enni Alcmeo, Rep. i. 30 Zethum illum Pacuui.

6 It must be admitted, however, that the reaction of the Plautine Alcmena (Amph. 820–930) is surprisingly dignified. Roman mores may be influential here.

7 In the introduction to his edition of the Rudens (Leipzig, 1887), pp. viiiixGoogle Scholar, F. Schoell seems to interpret the second element of the contrast as being the shifty and faithless character of the heroine. This was hardly a happy idea.

8 I am grateful to Professor C. O. Brink for reading a version of this note.