^{page 57 note 1} See the list enumerated in Loers, Praefatio.

^{page 57 note 2} See Chatelain, Paléographie des Classiques Latins, Planche xcv.

^{page 57 note 3} Cf. Anth. Pal. V. 132 … ; Ovid, de Arte Am. I. 53, III. 191, etc.; and for Andromedā, Lachm. Lucretius, p. 405. At Met. XIII. 523 the MSS. waver between ‘dofabere’ and ‘dowabere.’

^{page 58 note 1} Anecdota Oxoniensia, Classical Series, i. 5 (1885). There is a facsimile in Chatelain, op. cit., Planche 97. 1.

^{page 58 note 2} The Beneventan Script, p. 354.

^{page 58 note 3} For this use of auctor cf. Tristia, IV. 4. 26 and 34; Met. VI. 172.

^{page 58 note 4} Two other misstatements in M's note on this line need correction. N has qua (not quo), and M's reading is quite uncertain, ‘qu/⁰² (a eras) M,’ says M. Signor Rostagno examined the manuscript with me, and agreed that the letter erased is quite as likely to have been an æ diphthong as an a. M makes such play with his recollation of M and N that one might reasonably have expected him to quote their readings at any rate correctly throughout.

^{page 59 note 1} So also in the text of the poem at X. 215. There again M overlooks the cedillas.

^{page 59 note 2} The corresponding line of the poem (IX. 779) is corrupt. Punior is not Ovidian, and Plan, seems here, as elsewhere, to be translating a gloss, . The variants suggest something like—Quod uidet haec lucem, quod non ego conscia plector.

^{page 59 note 3} Paris. 8001 was identified by Loers (praef. ad init.) with the Codex Berneggerianus Heinsii. Yet (e.g.) at I. 530 M gives us the note ‘deo I flamma est cc Bernegg. et Par. 8001’— So also at V. 343. There, however (at the dictates of prudence), the number 8001 is dropped; but see Lemaire. Similarly at I. 69 φ is the Liége fragment. Delete from the note either φ or ‘frg. Leodinense.’

^{page 59 note 4} See Madvig, Aduersaria Critica, ii. 83 (the reference is given in the not. Crit.).

^{page 59 note 5} Merkel is cited as in favour of the reading; but Merkel (p. xxxii) begins by describing the construction thus: ‘Manifestos, quantum puto, barbarismus et sine exemplo.’

^{page 59 note 6} There are excerpts and collations of thirtyfour MSS., mostly ‘notae inferioris.’