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Published online by Cambridge University Press: 27 October 2009
page 173 note 1 Cf. Brahms' habit of altering his timesignature for one or two bars before the close. No change of mood is implied.
page 173 note 2 I feel that Headlam's term leitmotiv is unfortunate. It means a phrase invented for and restricted to one idea; these rhythmical figures cannot be that.
page 174 note 1 I take κα⋯ as a link, and γνώμας λ. σ. as a glyconic, echoing εἰ μ⋯ ᾽γὼ π.
page 174 note 2 For in vv. 207 and 227 there is no suggestion of Orestes, and the explanation of vv. 504–515 is not very convincing.