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Published online by Cambridge University Press: 21 November 2014
1 One argument for the raised stage is that it assists in vocal projection, but recent work highlights how much the mask itself projects the voice. See Cohen, A.R., Didaskalia 7 (2007)Google Scholar, http://www.didaskalia.net/issues/vol7no1/cohen.html; Tsilfidis, A. et al. , Acta Acustica 99 (2013), 82–90 Google Scholar.
2 S. well avoids the sin, recently decried by Martindale, of conducting reception studies by ‘conform[ing], relatively inertly, to traditional positivistic enquiry’ ( Martindale, C., Classical Receptions Journal 5 [2013], 171 Google Scholar).