^{page 459 note 1} We have noticed a few instances in which the translation seems at least questionable, if not absolutely wrong; e.g. 33,156, in enibleinate is apparently translated ‘on the interior’; 34, 66, constantiam surely means ‘firmness’ rather than ‘perseverance’; 35, 126, eam picturam translated ‘technical innovation’ should rather be ‘that design.’ 35, 153, to refer Idem back to Butades, though it may be necessary, at least requires some defence.

^{page 460 note 1} In dealing with the story of the clipeus at Athens painted by Pheidias, Miss Sellers seems to raise unnecessary difficulties. Two explanations are equally possible: (a) the clipeus was that of Athene Parthenos, which he designed before, and probably painted, after was carved: cf. the story of Parrhasius and Mys, and the epigram quoted Ath. xi. p. 782 B, ; or (b) the clipeus was round tablet for a picture, cf. Face. Fore, s.v.