Published online by Cambridge University Press: 07 April 2006
This paper was originally delivered as part of a panel on ‘Audience and Community’ at a conference on ‘Euripides and Tragic Theatre in the Late Fifth Century’, convened by Martin Cropp and Kevin Lee, and held at the Banff Centre in Alberta, Canada, in May 1999. I am most grateful to Laura McClure for allowing me to see the manuscript of her important book before publication; to Edith Hall, for inviting me on to the panel; and to Christopher Collard, Martin Cropp, Helene Foley, Jasper Griffin, Rachel Hoare, Michael Lloyd, Christopher Pelling, and the other participants at the conference for helpful suggestions and discussion.
1 This paper was originally delivered as part of a panel on ‘Audience and Community’ at a conference on ‘Euripides and Tragic Theatre in the Late Fifth Century’, convened by Martin Cropp and Kevin Lee, and held at the Banff Centre in Alberta, Canada, in May 1999. I am most grateful to Laura McClure for allowing me to see the manuscript of her important book before publication; to Edith Hall, for inviting me on to the panel; and to Christopher Collard, Martin Cropp, Helene Foley, Jasper Griffin, Rachel Hoare, Michael Lloyd, Christopher Pelling, and the other participants at the conference for helpful suggestions and discussion.