IN the Byzantinische Zeitschrift xxi. 52 Paul Maas states: ‘Es ist das Verdienst von H. B. Dewing, zuerst erkannt zu haben, dasz Prokop seine Satzschliisse rhythmisch reguliert.’ That this is only partly true appears from the remark of Heisenberg in the Berliner Philologische Wochenschrift, 1901, Sp. 1481, who comments on it, and that in a case of text–criticism, and likewise from a remark of Cronert in the Rheinisches Museum, 54, 1899, 593. Dewing was the first to point out the connection between the rhythm of Procopius and Meyer's law and to collect specific statistical material, although his numbers are to a great extent of no practical value. Compare in this connection Maas B.Z. xix. 593 (Maas himself came to the conclusion later that he exaggerated in this article: тά, μή, σύν, пΕρί should, according to Maas, here not be considered as accentuated). It appears to me that the correct statement of the end–rhythm of Procopius is that given by Maas for Constantinus Manasses, B.Z. xi. 505: ‘Im Ausgang der Satzglieder musz die Zahl der zwischen den letzten beiden Hochtonen stehenden Silben eine gerade sein,’ on condition that 0 is considered as an even number.