Published online by Cambridge University Press: 11 February 2009
In this study it is proposed to illustrate Plato's statements about painting from what we know of contemporary artists and styles, and more particularly to show his condemnation of Athenian art of the late fifth century and his appreciation of Peloponnesian art of the early fourth century.
page 149 note 1 O. = Overbeck, Die antiken Schriftquellen.
page 149 note 2 Furtw, . and Reich, ., Griech. Vaunm. Ser. III, p. 169Google Scholar and Taf. 168; cf. Pfuhl, , Abbs. 451, 461, 489, 492, and 561 (=c. 445–430 B.C.)Google Scholar.
page 149 note 3 See Pfuhl, , Abbs. 378Google Scholar (=c. 490 B.C.) and 456 (=c. 470 B.C).
page 149 note 4 Jex-Blake, and Sellers, , Pliny's Chs. on the History of Art, p. 104, nGoogle Scholar.
page 150 note 1 Taylor, , Plato, p. 236Google Scholar; Lamb, , Intro. to Protag. (Loeb), p. 87Google Scholar, n.
page 150 note 2 See Roux, , Herc, et Pompéii, Vol. I, Pis. 3, 13, 14, 17, 22, 25, 30, 31, etcGoogle Scholar.
page 150 note 3 Hahland, , Vasen um Meidias, Pl. 16bGoogle Scholar.
page 152 note 1 Nicole, , Meidias et le style fleuri, Pl. III, 1Google Scholar and 2.
page 152 note 2 Nicole, PI. VI, 2.
page 153 note 1 Nicole, Pls. I, II, 1 (Herakles and Clytios, however, are more robust).
page 153 note 2 Nicole, Pis. I, II, 2 (or Pfuhl, , Abb. 595Google Scholar).
page 153 note 3 jex-Blake and Sellers, XXXIV, 77, n.
page 154 note 1 Π ε ρ ψ ο υ ς, Ch. XXXVI, 4.
page 154 note 2 Carpenter, RhysA.J.A., 1931, p. 258Google Scholar.