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How Terence's Hecyra Failed

Published online by Cambridge University Press:  11 February 2009

F. H. Sandbach
F. H. Sandbach
Affiliation:
Trinity College, Cambridge
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Extract

It is often repeated that at the unsuccessful productions of Terence's Hecyra the audience left the theatre in order to see, on the first occasion, boxers and a tight-rope walker, on the second, a gladiatorial contest.1 The other view, that the spectators remained but demanded other entertainment, is to my mind clearly correct and deserves restatement since the mistaken one is so widespread.

Type
Research Article
Information
The Classical Quarterly , Volume 32 , Issue 1 , May 1982 , pp. 134 - 135
Copyright
Copyright © The Classical Association 1982

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References

1 A dozen references, not an exhaustive list, will suffice: Beare, W., The Roman Stage,1 p. 82Google Scholar (but non-committal in 2nd edn, p. 163 and 3rd edn, p. 173); Büchner, K., Das Theater des Terenz, p. 15;Google Scholar Duckworth, G. E., The Nature of Roman Comedy, p. 60;Google Scholar Flickinger, R. C., Philological Quarterly 6 (1927), 241, 267; R. Graves on p. xi of foreword to Echard's translation;Google Scholar Haffter, H., Museum Helveticum 10 (1953), 10;Google Scholar Kiessling-Heinze, , Flaccus, Q. Horatius, Briefe 6, p. 231;Google Scholar Leo, F., Geschichte der römischen Literatur, p. 236;Google Scholar Marouzeau, J., Térence (Budé edition), i. 16;Google Scholar Schanz-Hosius, , Geschichte der römischen Literatur, i. 105;Google Scholar Sloman, A., Phormio, P. Terenti, p. 15;Google Scholar Wilkins, A. S., Horace Epistles, p. 278.Google Scholar

2 Walbank, F. W., Commentary on Polybius, 3. 32.Google Scholar