Published online by Cambridge University Press: 28 July 2009
It is possible to be so familiar with a subject that one no longer sees its peculiar features. Roger Fry, the English art critic, spoke of a specialization of vision that prevents us from observing familiar objects around us until artists awaken us to the distinctive reality of what we have overlooked by lending us their eyes. Historical discoveries are often very much like an aesthetic awakening. Only a relatively small percentage are prompted by the discovery of wholly new and previously unknown evidence. The great majority are stimulated by fresh insight into evidence so familiar that its significance has been underestimated or disregarded.
1. This essay was written with the assistance of a grant from the Herzog August Bibliothek, Wolfenbüttel, West Germany.
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30. Ibid., pp. 86–87.
31. Ibid., pp. 86–87.
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48. Ibid., pp. 88–89.
49. Ibid., p. 88.
50. Ibid., pp. 86–87.
51. Calvin first refers readers to his commentaries in the 1539 edition of the Institutes, prior to the publication of the first edition of the Romans commentary in 1540.