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A Survey of Recent Research on the Albigensian Cathari*
Published online by Cambridge University Press: 28 July 2009
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The significant manuscript discoveries on medieval neo-Manichaeism in the last twenty-five years have raised the hope that the Albigensian riddle may now be more accurately and critically appraised. However, the problems are far from being solved. Despite penetrating essays and newly found sources, more clarification is needed on (a) the origins of Catharism. Henri-Charles Puech, of the Collége de France, has clearly summed up this question in “Catharisme mèdiéval et Bogomilisme,” Accademia nazionale dei lincei: XII Convegno “Volta” promossa dalla classe di scienze morali, storiche e filologiche (Roma, 1957), pp. 56–84; (b) religion, where the question is not merely whether the Cathari were dualists, but to what degree. There is an excellent essay, partly solving this problem, by Hans Söderberg, La religion des Cathares: Etude sur le Gnosticisme de la basse Antiquité et du Moyen Age (Uppsala, 1949); (c) the political situation. “Occitanie,” later called Languedoc, was at the time independent of the Capetian Kings of France who undertook to integrate it, by the sword of Simon of Montfort, as discussed by Jacques Madaule, Le drame albigeois et le destin français (Paris: B. Grasset, 1961); (d) Albigensianism coincided with courtly love, a subject which has not been sufficiently elucidated as to the relationship of the troubadours and Catharism, although numerous essays have been written about it.
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References
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51. Other more or less fictionalized accounts: Comte, P., “Le Graal et Montségur,” Bulletin de la société arch. et hist. du Gers (1951), pp. 332–345Google Scholar; Hannah, Close, High are the Mountains (London, 1945)Google Scholar; And Somber the Valleys (London, 1949)Google Scholar. A local poet, whose profile is engraved in the rock along the steep path that leads to the ruins of the Montségur castle, is Magre, Maurice, Le sang do Toulouse; Histoire albigeoise du XIIe siécle; Le trésor des Albigeois (Paris, 1938).Google Scholar
52. Hensehaw, Millet, “The Attitude of the Church toward the Stage to the End of the Middle Ages,” Medievalia et Husnanistica, VII (1952), 3–17Google Scholar. The church disapproved of shows (jongleurs); Waddell, Helen, The Wandering Scholars, 7th ed. (London, 1945), append., pp. 244–270Google Scholar. There was to be no singing of veneris carmina in the church: Mansi, Conciliiorum sacrorum, XXII, canon XVII col. 791, 792. Jongleura were excluded from communion and even salvation, MPL, CXCIX c. 405Google Scholar. Toward the end of the XIIth century there was a little more leniency: Thomas Aquinas believed that if the histrio does not sin and lead others to sin, his work may be licit, Summa Theol. II, 2, quaest. 168Google Scholar. Neither the Church nor Catharism could arrest the increasing number of “fabliaux” and stories as they were fashionable in the time of Boccaceio: Coppin, J., Amour et mariage dans la litt. franc. du Nord et du Moyen Age (Paris, 1961), pp. 41–42Google Scholar. But among the earlier troubadours there existed a concern over the decay of the world; Seheludko, D., “Klagen über den Verfall der Welt bei den Troubadours. Allegorisehe Darstellung der Tugenden und Laster,” Neuphilolog. Mitteilungen, XLIV (1943), 22–45Google Scholar. Schlösser, M.F., Andreanus Capellanus. Seine Minnelehre und das christliche Weltbild um 1200 (Bonn, 1960), pp. 321ffGoogle Scholar., discusses the search for a spiritual purified relationship to womanhood. On Capellanus, Andreas, cf. also Medieval Studies, VII (1946), 107–149.Google Scholar
53. Borst, op. cit., p. 106, n. 30. Of interest is Belperron, P., La joie d'amour. Contribution à l'étude des troubadours et l'amour courtois (Paris, 1948), pp. 14ffGoogle Scholar. On Esclarmonde: Nelli, S., “Esclarmonde de Foix,” Cahiers d'études cathares (1956)Google Scholar; Palais, Coiney de Saint, Esclarmonde, princesse cathare (Toulouse, 1956) (rather mediocre)Google Scholar. courtly love and dualist heresy occurred simultaneously and are expressed through the “sirventés” of the troubadours: Denis, de Rougemont, Love in the Western World (New York, 1957Google Scholar. Pellegrini, S., “Intorno al vassallaggio d'amore nel primi trovatori,” Cultura moderna, IV-V (1944–1945), 21–26Google Scholar; Koehler, Erich, “Observations historiques et sociologiques sun Ia poésie des troubadours,” Cahiers de Civihisation mediévale, XIe-XIIe siécles, VII (Université de Poitiers, 1964), 27–51.Google Scholar
54. R.H. Gene, op. cit., p. 58. Etienne Gil- son suggested more study on Cicero's influence on love and of Abelard's influence on courtly love, Gilson, Et., La théologie mystique de Saint Bernard (Paris, 1934), p. 20; and append., pp. 183–184.Google Scholar
55. The troubadour expressed the concern and hopes of a society of which he was a part, Bezzola, R. R., Le sens de la venture et de l'amour (Paris, 1947), 82.Google Scholar
56. A. Denomy, Medieval Studies, op. cit., VII, 184.
57. Gilson, Et., La philosophie au moyen-age (Paris, 1948), p. 564Google Scholar; Imbs, P., “A la recherche d'une littérature cathare,” Revue du moyen-age latin (Strasbourg, 1949).Google Scholar
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