How anyone today first comes to hear the name Max Nordau says much about his interests. He might, if his literary tastes so dictate, chance across him in Bram Stoker's Dracula, where Mina Harker cites Nordau as evidence that the count is a criminal and therefore of imperfectly formed mind. For Dracula's and Nordau's contemporaries, however, no such fortuitous encounters were necessary. Nordau was a household name whose most popular books appeared in scores of editions in a dozen languages. As a personality he was as colossal as his reputation. As critic, philosopher, novelist, playwright, sociologist, versifier, orator, journalist, polyglot, Zionist, psychologist, and physician, his versatility is impressive even when measured against an age when many tried their hand at more than one thing.