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19. Ibid., 39–41.

20. Ibid., 41–58.

21. BoguslawDrewniak, “The Foundations of Theater Policy in Nazi Germany,” in Cuomo, Cultural Policy, 67–94, quotation 68.

22. Ibid., 72–73.

23. Ibid., 70. See Shirakawa, Sam H., The Devil's Music Master: The Controversial Life and Career of Wilhelm Furtwängler (New York and Oxford, 1992), 304, 346–47, 353–54.Google Scholar

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26. Drewniak, “The Foundations of Theater Policy,” 79.

27. Ibid., 87; Prieberg, Fred K., Musik im NS-Staat (Frankfurt am Main, 1982), 190Google Scholar; Kater, , The Twisted Muse, 83.Google Scholar Appropriately, Lehár's name is missing from Stengel, Theo and Gerigk, Herbert, Lexikon der Juden in der Musik: Mit einem Titelverzeichnis jüdischer Werke (Berlin, 1941), 153.Google Scholar

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34. Welch, “Nazi Film Policy,” 107–9, 116.

35. Ibid., 115–18; Wulf, Joseph, ed., Theater und Film im Dritten Reich: Eine Dokumentation (Reinbek, 1966), 395–97.Google Scholar On Münchhausen, see Rentschler, Eric, “The Triumph of Male Will: Münchhausen (1943),” Film Quarterly 43, No. 3 (Spring 1990): 15–23.CrossRefGoogle Scholar

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72. Heyworth, Klemperer, 2:247, 252–53, 259–62, 266; Pâris, Lexikon, 377.

73. Heyworth, Klemperer, 2:359.

74. Ibid., 167–68, 275–77, 279, 303, 340.

75. Ibid., 99–100.

76. Ibid., 217, 220, 253, 268, 275–77, 303, 315.

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95. Spoto, Lenya, 101; Taylor, Weill, 178.

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98. Symonette and Kowalke, Speak Low, 242, 285, 294, 367; Weill to Lenya, 3 May 1936, ibid., 193; Spoto, Lenya, 128–30, 156, 167, 170, 173.

99. For background see Weill to Lenya, 8 Mar 1935, in Symonette and Kowalke, Speak Low, 174.

100. Ibid., 521.

101. Lenya to Weill, 26 Jun 1944, ibid., 372.

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103. Lenya to Weill, 7 Jul 1944, ibid., 382; Weill to Lenya, 28 Jul 1944, ibid., 404 (quotation). Weill and Lenya both often wrote “Joe” instead of “Jo.”

104. Lenya to Rita Weill, 28 Sep 1944, ibid., 446; Weill to Lenya, 11 Apr 1945 (quotation), ibid., 448.

105. Ibid., 483.

106. According to Spoto, Lenya, 178.

107. Symonette and Kowalke, Speak Low, 483. The quotations are from an interview with Maurice Abravanel in the WC.

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110. Ibid., 45.

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116. Ibid., 34, 114.

117. See Schoenberg's letter to Bessie Bartlett Fraenkel (26 Nov 1935), printed ibid., 7–8; and Kater, The Twisted Muse, 108–13.

118. Yates quoted in Crawford, Evenings On and Off the Roof, 9.

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123. Ibid., 115.

124. Ibid., 116–17.