Research Article
The Invention of an Opera House: The 1844 Teatro Victoria in Valparaiso, Chile
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- 20 May 2021, pp. 129-153
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Rethinking Operatic Masculinity: Nicola Tacchinardi's Aria Substitutions and the Heroic Archetype in Early Nineteenth-Century Italy
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- 19 November 2020, pp. 1-26
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Offenbach, Pépito and the Théâtre des Variétés: Politics and Genre in the First Year of the Second Empire
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- 11 June 2021, pp. 154-186
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Costumes and Cosmopolitanism: Italian Opera in the North
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- 24 November 2020, pp. 27-51
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Competing Ways of Hearing Nature in Berg's Wozzeck
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- 10 December 2020, pp. 52-89
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‘Ein sonderbar’ Ding’: Music, the Historical and the Problem of Temporal Representation in Der Rosenkavalier
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- 25 June 2021, pp. 187-225
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Heaven, Hell or Somewhere in Between: Sergei Prokofiev's The Fiery Angel and the Search for Spiritual Truth
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- 25 August 2021, pp. 226-252
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The Opera and the Omnibus: Material Culture, Urbanism and Boieldieu's La dame blanche
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- 26 November 2020, pp. 90-114
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Review Article
‘Opera and …’: The Pleasures and Perils of Amalgamation
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- 17 May 2021, pp. 253-258
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Dreams of Iberia
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- 25 November 2020, pp. 115-128
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Front Cover (OFC, IFC) and matter
OPR volume 32 issue 1 Cover and Front matter
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- 10 December 2020, pp. f1-f2
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OPR volume 32 issue 2-3 Cover and Front matter
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- Published online by Cambridge University Press:
- 10 September 2021, pp. f1-f2
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Back Cover (IBC, OBC) and matter
OPR volume 32 issue 1 Cover and Back matter
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- 10 December 2020, pp. b1-b2
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OPR volume 32 issue 2-3 Cover and Back matter
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- Published online by Cambridge University Press:
- 10 September 2021, pp. b1-b3
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