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The Seeds of Destruction: Naturalism, Hysteria, and the Beautiful Soul in Lewis Nkosi’s Mating Birds

Published online by Cambridge University Press:  20 April 2020

Eric D. Smith Open the ORCID record for Eric D. Smith [Opens in a new window]
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Abstract

If V. S. Naipaul’s late fiction demonstrates the crisis of narrative in the arrested dialectic of what I have called postcolonial naturalism, then the work of South African novelist, playwright, and critic Lewis Nkosi epitomizes the intersection of postcolonial naturalism with the double-voiced discourse of the hysteric. Situated between a post-independence melancholy and the registration of globalization’s volatile new dispensation and refracted through the racial politics of apartheid and its end as well as the lived experience of exile, Nkosi’s apartheid-era debut novel Mating Birds articulates in both form and content the noble self-exemption of Hegel’s “Beautiful Soul” and the subversive anxiety of the hysteric, to whom no satisfaction can be given. Such an accounting helps to reframe split critical appraisal of the novel by reading its complex of form and content as the living crystallization of historical processes.

Keywords

Lewis NkosiMating BirdsnaturalismpostcolonialhystericBeautiful Soulapartheid novelglobalization
Type
Articles
Information
Cambridge Journal of Postcolonial Literary Inquiry , Volume 7 , Issue 2: Black Panther Special Issue , April 2020 , pp. 158 - 175
Copyright
© The Author(s) 2020. Published by Cambridge University Press.

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