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Repetition with a Difference: A Response to Arjun Appadurai

Published online by Cambridge University Press:  02 September 2019

Ranjani Mazumdar
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Abstract

This is a response to Arjun Appadurai’s article “The Ready-Made Pleasures of Déjà Vu: Repeat Viewing of Bollywood Films.”1 Repetition as a concept is discussed here in relation to Deleuze, genre, remakes of older films, tradition, cultural regimentation, and individual desire.

Keywords

Bollywoodrepetitiondifferencegenreremakeformuladesire
Type
Responses to Appadurai Paradigm Piece (Issue 6.1)
Information
Cambridge Journal of Postcolonial Literary Inquiry , Volume 6 , Issue 3 , September 2019 , pp. 371 - 376
Copyright
© Cambridge University Press, 2019 

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References

1 Appadurai, Arjun, “The Ready-Made Pleasures of Déjà Vu: Repeat Viewing of Bollywood Films,” Cambridge Journal of Postcolonial Literary Inquiry 6.1 (2019): 140–52.CrossRefGoogle Scholar

2 Appadurai, Arjun, Modernity at Large: Cultural Dimensions of Globalization (Minneapolis, MN: University of Minnesota Press, 1996)Google Scholar.

3 Deleuze, Gilles, Difference and Repetition, trans. Patton, Paul ( New York: Columbia University Press, 1994)Google Scholar.

4 Staiger, Janet, “Hybrid or Inbred: The Purity Hypothesis and Hollywood Genre History,” Film Criticism 22.1 (1997): 5–20 Google Scholar.

5 Thomas, Rosie, “Mythologies and Modern India,” in World Cinema Since 1945, ed. Luhr, William ( New York: Ungar, 1987), 304 Google Scholar.

6 DDLJ: The Making of the Film, directed by Saif Akhtar (three parts): https://www.youtube.com/watch?v=R7pLRr2QROg, https://www.youtube.com/watch?v=BC4fJTi58WY&t=104s, https://www.youtube.com/watch?v=TvcuPdcyPW8.

7 Mazumdar, Ranjani, “Dilwale Dulhaniya Le Jayenge,” in The Routledge Encyclopedia of Films, eds. Haeni, Sabine, Barrow, Sarah, and White, John ( London and New York: Routledge, 2014). 205–08Google Scholar.

8 Uberoi, Patricia, “The Diaspora Comes Home: Disciplining Desire in DDLJ,” Contributions to Indian Sociology 32.2 (1987): 305–336 CrossRefGoogle Scholar.

9 Rajadhyaksha, Ashish, “The Bollywoodization of Indian Cinema: Cultural Nationalism in a Global Arena,” Inter Asia Cultural Studies 4.1 (2003): 25–39 CrossRefGoogle Scholar.

10 Jenisha Borah, Maratha Mandir: An Exploration of Urban Memory through the Architectural Space of Film Exhibition. Unpublished M.Phil Dissertation, JNU, 2014.