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Article contents
Extract
The publication of Happiness in 2019 marked a near twenty-year immersion in narratives that dealt with notions of war and trauma, an inquiry that began with a memoir The Devil that Danced on the Water (2002), written at the time of the civil conflict in Sierra Leone, and continuing through four novels, culminating in Happiness. In The Memory of Love and through the character of British psychologist Adrian Lockheart, a trauma specialist who arrives in Sierra Leone in the wake of the conflict, I engaged most directly with conceptual notions of trauma. It is in this novel that Attila Asare, a Ghanaian psychiatrist who runs a mental health facility in postwar Sierra Leone, makes his first appearance. Some years later, following publication of the Croatian-set novel The Hired Man, I found myself compelled to return to the character of Asare and the subject of trauma in my most recent novel, Happiness.
- Type
- Book Forum on Aminatta Forna’s Happiness
- Information
- Cambridge Journal of Postcolonial Literary Inquiry , Volume 6 , Issue 3 , September 2019 , pp. 418 - 422
- Copyright
- © Cambridge University Press, 2019
References
1 Cole, Ernest, “ Re-Reading Violence and Trauma in Post-Conflict Societies: Aminatta Forna’s Happiness,” Cambridge Journal of Postcolonial Literary Inquiry 6.3 (2019)CrossRefGoogle Scholar, 400–403.
2 Diop, Oumar, “Happiness, the Wound and the Word: Aminatta Forna Joins the Conversation on Trauma,” Cambridge Journal of Postcolonial Literary Inquiry 6.3 (2019)CrossRefGoogle Scholar, 388–399.
3 Mukherjee, Ankhi, “Eco-cosmopolitanism as Trauma Cure,” Cambridge Journal of Postcolonial Literary Inquiry 6.3 (2019)CrossRefGoogle Scholar, 411–417.
4 Palmer, Eustace, “Aminatta Forna and the Concept of Happiness,” Cambridge Journal of Postcolonial Literary Inquiry 6.3 (2019)CrossRefGoogle Scholar, 404–410.
5 Ariel Leve, ‘Toni Morrison on Love, Loss and Modernity,’ The Telegraph, July 17, 2012.