Aminatta Forna’s latest novel, Happiness, has deservedly won commendations from eminent critics and reviewers such as Salman Rushdie. Some readers, however, while being sensitive to its charm, to the elegance of the writing, to the power of the description and the remarkable use of detail, might find the relationship between the title and the numerous concerns of the novel rather problematic. Although titles do not always suggest the main concerns of the novel, they can act as significant pointers. This novel lays hands on apparently disparate elements such as the need to protect animals and other endangered species, the search for a disturbed young boy whose mother has been wrongfully detained by British immigration authorities, the need to care for a once brilliant scientist now suffering from Alzheimer’s, the psychiatric issues involved in the defense of a young widow accused of arson, and the brutalities perpetrated by humans all over the world. Some readers might wonder whether there is a central focus and whether that focus is indeed happiness. Essentially, the main issue is how the concept of happiness fits into all of this. And yet, it is the argument of this paper that Happiness possesses an overarching common thread and manifests an overwhelming central concern.