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Happiness and virtue in Socrates' moral theory1

Published online by Cambridge University Press:  28 February 2013

Gregory Vlastos
Affiliation:
Department of PhilosophyUniversity of California at Berkeley
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I Άρετή, εὐδαιμονία: their translation

The key terms in my title pose problems of translation with which I can only deal in the most cursory manner. On ‘virtue’ for ἀρετἡ I need not linger at all, for whatever may be the general usage of ἀρετἡ, Socrates' use of it is fixed beyond doubt by the fact that whenever he brings the general concept under scrutiny – as when he debates its teachability in the Protagoras and the Meno – he assumes without argument that its sole constituents or ‘parts’ (μόρια μέρη) are five qualities which are, incontestably, the Greek terms of moral commendation par excellence: ἀνδρεία, σωφρούνη, δικαιοσύνη, ὁσιότης, σοφία. ‘Happiness’ for εὐδαιμονία is a more contentious matter. Leading Aristotelians, Ross and Ackrill, have claimed that ‘well-being’ would be a better translation. But in their own translations of the E. N. both stick to ‘happiness’ all the same. It is not hard to see why they would and should. ‘Well-being’ has no adjectival or adverbial forms. This may seem a small matter to armchair translators – philosophers dogmatizing on how others should do the job. Not so if one is struggling with its nitty gritty, trying for clause-by-clause English counterparts that might be faithful to the sentence-structure, no less than the sense, of the Greek original. And ‘well-being’ suffers from a further liability: it is a stiff, bookish phrase, bereft of the ease and grace with which the living words of a natural language perform in a wide diversity of contexts. Εὐδαιμονία perfectly fits street-Greek and Aristophanic slapstick, yet also, no less perfectly, the most exalted passages of tragedy.

Type
Research Article
Copyright
Copyright © The Author(s). Published online by Cambridge University Press 1984

Footnotes

1

The “Socrates” of this paper is the protagonist of Plato's earlier dialogues. I list these (by self-explanatory abbreviations, borrowed from T. Irwin, Plato's Moral Theory [1974] hereafter ‘PMT): Ap., Ch., Cr., Eud., Eu., G., HMa, HMi, Ion, La., Ly., Pr., R. I. I assume, but shall not argue here, that in this segment of his corpus, Plato aims to recreate the doctrines and arguments of his teacher in dramatic scenes, all of which (except for the Ap.) may be, and most of which undoubtedly are, fictional; I shall be referring to them, under this proviso, as Plato's ‘Socratic dialogues.’ (I did not include the Menexenus in the above list, since the parody of a funeral oration in this dialogue is explicitly dissociated from Socrates.)

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