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The Origins of Iconic Depictions: A Falsifiable Model Derived from the Visual Science of Palaeolithic Cave Art and World Rock Art

Published online by Cambridge University Press:  03 May 2018

Derek Hodgson  and
Paul Pettitt
Derek Hodgson
Affiliation:
Department of Archaeology, University of York, King's Manor, York YO1 7EP, UK Email: [email protected]
Paul Pettitt
Affiliation:
Department of Archaeology, University of Durham, South Road, Durham DH1 3LE, UK Email: [email protected]
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Abstract

Archaeologists have struggled for more than a century to explain why the first representational art of the Upper Palaeolithic arose and the reason for its precocious naturalism. Thanks to new data from various sites across Europe and further afield, as well as crucial insights from visual science, we may now be on the brink of bringing some clarity to this issue. In this paper, we assert that the main precursors of the first figurative art consisted of hand prints/stencils (among the Neanderthals and early Homo sapiens) and a corpus of geometric marks as well as a hunting lifestyle and highly charged visual system for detecting animals in evocative environments. Unlike many foregoing arguments, the present one is falsifiable in that five critical, but verifiable, points are delineated.

Type
Research Article
Information
Cambridge Archaeological Journal , Volume 28 , Issue 4 , November 2018 , pp. 591 - 612
Copyright
Copyright © McDonald Institute for Archaeological Research 2018 

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