Crossref Citations
This article has been cited by the following publications. This list is generated based on data provided by
Crossref.
MORLEY, IAIN
2006.
MOUSTERIAN MUSICIANSHIP? THE CASE OF THE DIVJE BABE I BONE.
Oxford Journal of Archaeology,
Vol. 25,
Issue. 4,
p.
317.
Livingstone, Steven Robert
and
Thompson, William Forde
2006.
Multimodal Affective Interaction.
Music Perception,
Vol. 24,
Issue. 1,
p.
89.
Brown, Steven
2007.
Contagious heterophony: A new theory about the origins of music.
Musicae Scientiae,
Vol. 11,
Issue. 1,
p.
3.
Bannan, Nicholas
and
Montgomery-Smith, Chreanne
2008.
`Singing for the Brain': reflections on the human capacity for music arising from a pilot study of group singing with Alzheimer's patients.
Journal of the Royal Society for the Promotion of Health,
Vol. 128,
Issue. 2,
p.
73.
Cross, Ian
2008.
Musicality and the human capacity for culture.
Musicae Scientiae,
Vol. 12,
Issue. 1_suppl,
p.
147.
Livingstone, Steven Robert
and
Thompson, William Forde
2009.
The emergence of music from the Theory of Mind.
Musicae Scientiae,
Vol. 13,
Issue. 2_suppl,
p.
83.
Lehmann, Christian
Welker, Lorenz
and
Schiefenhövel, Wulf
2009.
Towards an ethology of song: A categorization of musical behaviour.
Musicae Scientiae,
Vol. 13,
Issue. 2_suppl,
p.
321.
Deliège, Irène
Vitouch, Oliver
and
Ladinig, Olivia
2010.
Musique et évolution.
p.
355.
Cross, Ian
2012.
Oxford Handbook of Evolutionary Psychology.
p.
649.
Bannan, Nicholas
2014.
Music, play and Darwin’s children: Pedagogical reflections of and on the ontogeny/phylogeny relationship.
International Journal of Music Education,
Vol. 32,
Issue. 1,
p.
98.
Blake, Elizabeth C.
and
Cross, Ian
2015.
The Acoustic and Auditory Contexts of Human Behavior.
Current Anthropology,
Vol. 56,
Issue. 1,
p.
81.
Merker, Bjorn
Morley, Iain
and
Zuidema, Willem
2015.
Five fundamental constraints on theories of the origins of music.
Philosophical Transactions of the Royal Society B: Biological Sciences,
Vol. 370,
Issue. 1664,
p.
20140095.
Lomas, Tim
2016.
Positive Art: Artistic Expression and Appreciation as an Exemplary Vehicle for Flourishing.
Review of General Psychology,
Vol. 20,
Issue. 2,
p.
171.
Podlipniak, Piotr
2016.
The evolutionary origin of pitch centre recognition.
Psychology of Music,
Vol. 44,
Issue. 3,
p.
527.
Killin, Anton
2018.
The origins of music.
Music & Science,
Vol. 1,
Issue. ,
2019.
Quelqu'un à qui parler.
p.
311.
Parncutt, Richard
and
Chuckrow, Robert
2019.
Chuckrow’s theory of the prenatal origin of music.
Musicae Scientiae,
Vol. 23,
Issue. 4,
p.
403.
Malik, Rose
2021.
Does Archaeology Stink? Detecting Smell in the Past Using Headspace Sampling Techniques.
International Journal of Historical Archaeology,
Vol. 25,
Issue. 2,
p.
273.
de Jong, Daniela Castro
Pike, Georgia
West, Susan
Valerius, Harley
Kay, Anne
and
Ellis, Stephanie
2021.
Shared music, shared occupation: Embedding music as a socio-altruistic collective- and co-occupation in occupational therapy education.
Journal of Occupational Science,
Vol. 28,
Issue. 3,
p.
374.
Schruth, David M.
Templeton, Christopher N.
Holman, Darryl J.
and
Rosenfeld, Cheryl S.
2021.
On reappearance and complexity in musical calling.
PLOS ONE,
Vol. 16,
Issue. 12,
p.
e0218006.