Hostname: page-component-78c5997874-mlc7c Total loading time: 0 Render date: 2024-11-17T17:00:56.715Z Has data issue: false hasContentIssue false

Dance and Representation — a Methodological Remark: Reply to Lewis-Williams

Published online by Cambridge University Press:  14 October 2009

Yosef Garfinkel
Affiliation:
Institute of Archaeology, Hebrew University, Jerusalem 91905, Israel

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Shorter Notes
Copyright
Copyright © The McDonald Institute for Archaeological Research 1999

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Biesele, M., 1978. Sapience and scarce resources: communication systems of the !Kung and other foragers. Social Science Information 17, 921–47.CrossRefGoogle Scholar
Bleek, D.F., 1935. Beliefs and customs of the /Xam Bushmen, part VII: sorcerors. Bantu Studies 9, 147.CrossRefGoogle Scholar
Dovvson, T.A., 1994. Reading art, writing history: rock art and social change in southern Africa. World Archaeology 25, 332–45.Google Scholar
Garfinkel, Y., 1998. Dancing and the beginning of art scenes in early village communities of the Near East and Southeast Europe. Cambridge Archaeological Journal 8(2), 207–37.CrossRefGoogle Scholar
Katz, R., 1982. Boiling Energy: Community Healing Among the Kalahari !Kung. Cambridge (MA): Harvard University Press.Google Scholar
Katz, R., Biesele, M. & St Denis, V., 1997. Healing Makes our Hearts Happy: Spirituality and Cultural Transformation among the Kalahari Ju/‘hoansi. Rochester (NY): Inner Traditions.Google Scholar
Lee, R.B., 1967. The sociology of !Kung Bushman trance performance, in Trance and Possession States, ed. Prince, R.. Montreal: R.M. Bucke Memorial Society, 3554.Google Scholar
Lenssen-Erz, T., 1989. The catalogue, in The Rock Paintings of the Upper Brandberg, part I, Amis Gorge, by Pager, H.. Cologne: Heinrich Barth Institute, 361–70.Google Scholar
Lewis-Williams, J.D., 1972. The syntax and function of the Giant's Castle rock paintings. South African Archaeological Bulletin 27, 4965.CrossRefGoogle Scholar
Lewis-Williams, J.D., 1974. Superpositioning in a sample of rock paintings in the Barkly East district. South African Archaeological Bulletin 29, 93103.CrossRefGoogle Scholar
Lewis-Williams, J.D., 1981. Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. London: Academic Press.Google Scholar
Lewis-Williams, J.D., 1986. The last testament of the southern San. South African Archaeological Bulletin 41, 1011.CrossRefGoogle Scholar
Lewis-Williams, J.D., 1990a. Discovering Southern African Rock Art. Cape Town: David Philip.Google Scholar
Lewis-Williams, J.D., 1990b. Documentation, analysis and interpretation: dilemmas in rock art research. South African Archaeological Bulletin 45, 126–36.CrossRefGoogle Scholar
Lewis-Williams, J.D., 1992. Ethnographie evidence relating to ‘trancing’ and ‘shamans’ among northern and southern Bushmen. South African Archaeological Bulletin 47, 5660.CrossRefGoogle Scholar
Lewis-Williams, J.D., 1997. The mantis, the eland and the meerkats: conflict and mediation in a nineteenth-century San myth, in Culture and the Commonplace: Anthropological Essays in Honour of David Hammond-Tooke, ed. McAllister, P.. Johannesburg: University of the Witwatersrand Press, 195216.Google Scholar
Lewis-Williams, J.D., 1998. Quanto? the problem of many meanings in southern African rock art research. South African Archaeological Bulletin 53, 8697.CrossRefGoogle Scholar
Lewis-Williams, J.D. & Dowson, T.A., 1990. Through the veil: San rock paintings and the rock face. South African Archaeological Bulletin 45, 516.CrossRefGoogle Scholar
Lewis-Williams, J.D. & Dowson, T.A., 1999. Images of Power: Understanding Southern African Rock Art. 2nd edition. Johannesburg: Southern Book Publishers.Google Scholar
Marshall, L., 1969. The medicine dance of the !Kung Bushmen. Africa 39, 347–81.CrossRefGoogle Scholar
Mellaart, J., 1967. Çatal Hiiyiik: a Neolithic Town in Anatolia. London: Thames & Hudson.Google Scholar
Müller-Karpe, H., 1968. Handbuch der Vorgeschichte, Jungsteinzeit. Munich: C.H. Beck.Google Scholar
Vinnicombe, P., 1967. Rock painting analysis. South African Archaeological Bulletin 22, 129–41.CrossRefGoogle Scholar
Vinnicombe, P., 1976. People of the Eland: Rock Paintings of the Drakensberg Bushmen as a Reflection of their Life and Tliought. Pietermaritzburg: Natal University Press.Google Scholar
Willcox, A.R., 1978. So-called ‘infibulation’ in African rock art: a group research project. African Studies 37, 203–26.CrossRefGoogle Scholar