Hostname: page-component-78c5997874-dh8gc Total loading time: 0 Render date: 2024-11-19T13:25:04.491Z Has data issue: false hasContentIssue false
  • English
  • Français

Dünya Güzeli: Cavafy’s folkloric Odalisque

Published online by Cambridge University Press:  22 January 2016

Peter Jeffreys
Peter Jeffreys*
Affiliation:
Toronto
Get access Rights & Permissions [Opens in a new window]

Abstract

Cavafy’s overlooked poem ‘Dünya Güzeli’ reflects the seminal influence of folklore on the early writings of the poet, an influence which significantly shaped the contours of the Cavafy canon. The poem is a sophisticated attempt to synthesize the flourishing discourse of λαογραφία with the fashionable literary and painterly trends of Orientalism. It thus warrants a fuller appreciation as a complex text that documents Cavafy’s emerging craft and anticipates his poetic hybridisation of East and West which finds its fullest expression in Cavafy’s Orientalising Hellenism.

Type
Articles
Information
Byzantine and Modern Greek Studies , Volume 26 , 2002 , pp. 218 - 246
Copyright
Copyright © The Centre for Byzantine, Ottoman and Modern Greek Studies, University of Birmingham 2002

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Alexiou, M. (1984/5), ‘Folklore: An Obituary?’, Byzantine and Modern Greek Studies 9, 1-28.Google Scholar
Alexiou, M. (2002), After Antiquity: Greek Language, Myth, and Metaphor, Ithaca.Google Scholar
Armstrong, A.H. (1986), ‘Platonic Mirrors’, Hellenic and Christian Studies, Aldershot, 147–181.Google Scholar
Barth, J. (1974), Chimera, New York.Google Scholar
Beaton, R. (1980), Folk Poetry of Modern Greece, Cambridge.CrossRefGoogle Scholar
Benjamin, R., ed. (1997), Orientalism: Delacroix to Klee, New South Wales.Google Scholar
Bullen, J.B. (1999), ‘The Mirror of Venus: Dante Gabriel Rossetti and the Woman in the Glass’ in Gioco di Specchi: Saggi sull’uso letterario dell’immagine dello specchio, ed. Lombardo, A., Rome, 227–252.Google Scholar
Byron, G.G. (1907), The Complete Poetic Works of Lord Byron, New York.Google Scholar
Caracciolo, P.L. (1988), ‘Introduction’, The Arabian Nights in English Literature: Studies in the Reception of The Thousand and One Nights into British Culture , ed. Caracciolo, P., London, 1–80.CrossRefGoogle Scholar
Cavafy, C.P. (1963), Πεζά, ed. Papoutsaki, G., Athens.Google Scholar
Cavafy, C.P. (1968), Ανέκδοτα Ποιήματα (1882-1923), ed. Savidis, G.P., Athens.Google Scholar
Cavafy, C.P. (1980), Ποίηματα A’, B’, ed. Savidis, G.P., Athens.Google Scholar
Cavafy, C.P. (1983), Αποκηρυγμένα Ποιήματα και Μεταφράσεκ, ed. Savidis, G.P., Athens.Google Scholar
Cavafy, C.P.(1989), The Complete Poems of Cavafy, trans. Dalven, R., New York.Google Scholar
Cavafy, C.P. (1992), Collected Poems, trans. Keeley, E. and Sherrard, P., Princeton.Google Scholar
Cavafy, C.P. (1993), Κρυμμένα Ποιήματα (1877;-1923), ed. Savidis, G.P., Athens.Google Scholar
Cavafy, C.P. (1994), Ατελή Ποιήματα (1918-1932), ed. Lavagnini, Renata, Athens.Google Scholar
Cavafy, C.P. (2001), Before Time Could Change Them: The Complete Poems of Constantine P. Cavafy, trans. Theoharis, T., New York.Google Scholar
Coco, C. (1997), Secrets of the Harem, New York.Google Scholar
L.M., Danforth (1984), ‘The Ideological Context of the Search for Continuities in Greek Culture’, Journal of Modern Greek Studies 2.1, 53–85.Google Scholar
Dawkins, R.M. (1950), Forty-Five Stories from the Dodekanese (1980 rpt.), New York.Google Scholar
Dawkins, R.M. (1953), Modern Greek Folktales, Oxford.Google Scholar
Dijkstra, B. (1986), Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture, New York.Google Scholar
Doundounaki-Oustamanolaki, H. (1986), Κρητικά Παραμύθια, vol. 1, Athens.Google Scholar
Ersöz, F. (1998), A Stamboul avec Pierre Loti, Istanbul.Google Scholar
Fauriel, R.. (1955), Δημοτικά Τραγούδια της Συγχρόνου Έλλάδος, trans. Hatziemmanuel, A.D., Athens.Google Scholar
Fletcher, R. (1973), ‘Byron in Nineteenth-Century Greek Literature’, in The Struggle for Greek Independence: Essays to Mark the 150th Anniversary of the Greek War of Independence, ed. Clogg, R., London, 224–247.CrossRefGoogle Scholar
Gautier, T. (1853), Constantinople, Paris.Google Scholar
Gerhardt, M.I. (1963), The Art of Story-Telling: A Literary Study of the Thousand and One Nights, Leiden.Google Scholar
Goldberg, B. (1985), The Mirror and Man, Charlottesville.Google Scholar
Haas, D. (1996), Le Problème Religieux dans l’Oeuvre de Cavafy, Paris.Google Scholar
Haas, D., et al. (1983), ‘Χρονολόγιο Κ.Π. Καβάφη’, Χάρτης 5/6, 514–525.Google Scholar
Hanimefendi, L. (1925), The Imperial Harem of the Sultans: Daily Life at the Çirgan Palace during the 19th Century, trans. Thomas, L., (1994) Istanbul.Google Scholar
Herzfeld, M. (1982), Ours Once More: Folklore, Ideology, and the Making of Modern Greece, Austin.Google Scholar
Hugo, V. (1909), The Poems of Victor Hugo, vol. 1, Boston.Google Scholar
Ilinskagia, S. (1983), К.П. Καβάφης- Οι δρόμοι προς το ρεαλισμό στην ποίηση του 20ου αιώνα, Athens.Google Scholar
Irwin, R. (1994), The Arabian Nights: A Companion, London.Google Scholar
Jeffreys, P. (1999), Hellenism and Orientalism in the Work of E.M. Forster and Constantine Cavafy: A Parallel Reading, Ph.D. Dissertation, University of Toronto.Google Scholar
Kahf, M. (1999), Western Representations of the Muslim Woman: From Termagant to Odalisque, Austin.Google Scholar
Kaplanoglou, M. (1998), Ελληνική Λαϊκή Παράδοση: Та Παραμνθια στα Περιοδικά για Παιδιά και Néovc, Athens.Google Scholar
Karapanagopoulos, A. (1985), О К. П. Καβάφης — Συζητήσεκ με τη Ρίκα Αγαλλιανού Καραγιάννη πρώην Σεγκοπουλου, Athens.Google Scholar
Kidwai, A.R. (1995), Orientalism in Lord Byron’s ‘Turkish Tales’, Lewiston.Google Scholar
Kolaitis, M. (1980), Cavafy as I Knew Him, Santa Barbara.Google Scholar
Kunos, I. (1896), Turkish Fairy Tales and Folk Tales, trans. Bain, R. Nisbet (1969), New York.Google Scholar
La Belle, J. (1988), Herself Beheld: The Literature of the Looking Glass, Ithaca.Google Scholar
Lane, E.W. (1927), The Arabian Nights Entertainments (complete edition), New York.Google Scholar
Lewis, M. (1978), John Frederick Lewis R.A. 1805-1876, London.Google Scholar
Liddell, R. (1974), Cavafy: A Biography. Introd. Mackridge, P. (2000), London.Google Scholar
Loti, P. (1879), Aziyadé (1989 rpt.), Paris.Google Scholar
Loukatos, D. (1985), Εισαγωγτ) στην Ελληνική Λαογραφία, Athens.Google Scholar
Lowe, L. (1991), Critical Terrains: French and British Orientalisms, Ithaca.Google Scholar
Lüthi, M. (1975), The Fairytale as Art Form and Portrait of Man, trans. Erickson, J. (1984), Bloomington.Google Scholar
MacKenzie, J.M. (1995), Orientalism: History, Theory and the Arts, Manchester.Google Scholar
Malanos, T. (1986), О Καβάφης ελεγε, Athens.Google Scholar
Megas, G., ed. (1970), Folktales of Greece, trans. Colaclides, H., Chicago.Google Scholar
Melchior-Bonnet, S. (1994), The Mirror: A History, trans. Jewett, K.H., London.Google Scholar
de Nerval, G. (1851), Voyages en Orient, Paris.Google Scholar
Nochlin, L. (1989), The Politics of Vision: Essays on Nineteenth-Century Art and Society, New York.Google Scholar
Peltre, C. (1998), Orientalism in Art, trans. Goodman, J., New York.Google Scholar
Peridis, M. (1948), О Bíoç και то έργο του Κωνσταντίνου Καβάφη, Athens.Google Scholar
Politis, N. (1871), Νεοελληνική Μυθολογία, Athens.Google Scholar
Politis, N. (1904), Μελεται περι τοϋ βίου καϊ rr/c γλώσσης τοΰ Έλληνικον Λαοΰ. Παραδόσεκ A’ και B’ , Athens.Google Scholar
Politis, N. (1918), ‘Βυζαντιναι Παραδόσεις’, in Λαογραφικά Σύμμεικτα Β’(1975), Athens.Google Scholar
Propp, V. (1984), Theory and History of Folklore, trans. Martin, Y., Minneapolis.Google Scholar
Roessel, D. (2002), In Byron ‘s Shadow: Modern Greece in the English & American Imagination, Oxford.Google Scholar
Said, E.W. (2000), ‘Cairo and Alexandria’, in Reflections on Exile and Other Essays, Harvard, 337–345.Google Scholar
Savidis, G.P. (1966), O’t Καβαφικες Έκδόσεκ (1891-1932), Athens.Google Scholar
Savidis, G.P. (1987), ‘O Καβάφης συντάκτης μαθητικι ανθολονίας δημοτικών τραγουδιών’, in Μικρά Καβαφικά Β, Athens, 205–246.Google Scholar
Savidis, L., ed. (1983), Λενκωμα Καβάφη, Athens.Google Scholar
Schick, I.C. (1998), ‘The Women of Turkey as Sexual Personae: Images from Western Literature’, in Deconstructing Images of ‘The Turkish Woman’, ed. Arat, Z.F., New York, 83–100.Google Scholar
Schwab, R. (1984), The Oriental Renaissance: Europe’s Rediscovery of India and the East, 1680-1880, trans. Black, G.P. and Reinking, V., New York.Google Scholar
Seferis, G. (1983), ‘Cavafy and Eliot: A Comparison’, in The Mind and Art of C.P. Cavafy: Essays on his Life and Work, ed. Harvey, D., Athens, 60–88.Google Scholar
Stevens, M. (1994), The Orientalists: Delacroix to Matisse: European Painters in North Africa and the Near East, London.Google Scholar
Svolopoulos, C. (1994), Κωνστανηνονπολη 1856-1908: H Ακμή τον Ελληνισμού, Athens.Google Scholar
Thornton, L. (1994a), The Orientalists: Painter-Travelers, Paris.Google Scholar
Thornton, L. (1994b), Women as Portrayed in Orientalist Painting, Paris.Google Scholar
Trypanis, C.A. (1981), Greek Poetry: From Homer to Seferis, London.Google Scholar
Tsirkas, S. (1958), ‘O Καβάφης κοά ή έποχή του, Athens.Google Scholar
Wake, C. (1974), The Novels of Pierre Loti, The Hague.Google Scholar
Yeazell, R.B. (2000), Harems of the Mind: Passages of Western Art and Literature, New Haven.Google Scholar