Sir Christopher Wren was the architect of St. Paul's Cathedral in London, in which he is buried in a simple tomb with a famous Latin epitaph, which can be paraphrased for our purposes as “if you are searching for a monument, look about you.” Joshua Freeman, in his sparkling history of the factory, says much the same about his book's subject: if you want a monument to the factory, look about you, to your house, your study, your clothes, or your desk. What is there that hasn't been manufactured in a factory? And yet Freeman's book is also something of an epitaph to a business model. We live, we are often told, in a postindustrial age. The factory has lost its ability to awe or to amaze (though not, perhaps, the ability to produce indignation and anger). The factory as technology's avatar has been replaced by the high-tech campus, where things are not made manually but digitally, keystroke by keystroke. Still, we are very much products of the age of the factory.