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Some Chinese terms for musical repeats, sections, and forms, common to T'ang, Yüan, and Tōgakuscores

Published online by Cambridge University Press:  24 December 2009

L. E. R. Picken
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Extract

Hayashi Kenzō has presented evidence of close links between the notation-signs of the Tun-huang musical MS, Pelliot No. 3808 (henceforth P), and those for biwaand shōin current Tōgaku part-books. In addition to this relationship, however, there are also extensive parallels in technical terms, not hitherto examined. In many instances, these same terms appear in the brief musical text preserved in early Yüan printings of the Shih-lin kuang-chi(henceforth SLKC), reproduced in facsimile in Pian. The Tōgaku part-books evidently reflect Chinese and indeed T'ang idiom.

Type
Research Article
Information
Bulletin of the School of Oriental and African Studies , Volume 34 , Issue 1 , February 1971 , pp. 113 - 118
Copyright
Copyright © School of Oriental and African Studies 1971

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References

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