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Scott Fitzgerald and his Critics: the appreciation of minor art

Published online by Cambridge University Press:  17 February 2011

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Extract

It is rather a pity that modem criticism is couched so exclusively in terms of black and white. If a writer these days is not a great creative artist, he is liable to be wiped off the slate altogether. Therefore, those who would preserve a reputation seek to establish it in the strongest possible terms. Terms, perhaps, which it cannot possibly support. This often draws a rebuttal from critics who are impressed less favourably. And, indeed, they may be quite within the bounds of reason if what is in question is the inflating of a minor talent. Yet, to confute an over-estimation is not to condemn a talent which may be genuine. Good writing is rare enough in any period, and we must take it as we find it.

Type
Research Article
Copyright
Copyright © British Association for American Studies 1963

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References

REFERENCES

Mizener, Arthur, The Far Side of Paradise (1951)Google Scholar
Kazin, Alfred, On Native Grounds (1943)Google Scholar
Geismar, Maxwell, The Last of the Provincials (1952)Google Scholar
Aldridge, J. W., After the Lost Generation (1959)Google Scholar
Bewiey, Marius, The Eccentric Design (1959)Google Scholar
Harding, D. W., Scrutiny, Vol. XVIII No. 3 (1951)Google Scholar
Forrelly, John, Scrutiny, Vol. XVIII No. 4 (1951)Google Scholar
Jacobson, Dan, Encounter No. 81, June 1960Google Scholar
Essays by Kazin, Alfred, Mizener, Arthur, Harding, D.W., Chamberlain, John, Wanning, Andrews, Grattan, C. Hartley, Troy, William, Mencken, H.L. and Weir, Charles Jr., which appeared in many different places over the last forty years, are most conveniently referred to in Scott Fitzgerald The Man and His Work, a collection of Fitzgerald criticism, brought together and edited by Alfred Kazin in 1951.Google Scholar