Hostname: page-component-586b7cd67f-gb8f7 Total loading time: 0 Render date: 2024-11-22T10:21:54.848Z Has data issue: false hasContentIssue false

Women's Ways of Knowing

Published online by Cambridge University Press:  18 December 2008

Abstract

The article explores reasons for the absence of women from the world of professional music making. The processes of women's music making are examined, especially oral transmission, communal creation and ownership, its relation to everyday living, and holistic approaches to its role in education. These are illustrated by examples drawn from composers such as Hildegard of Bingen and Clara Schumann, and traditional sources, together with education and good practice in a variety of areas.

Type
Research Article
Copyright
Copyright © Cambridge University Press 1993

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Craske Day, M., Arise O Sun, J. B. Cramer, London, 1921.Google Scholar
Fowler, J., Of small pipes and double basses, Contemporary Review, 1993.Google Scholar
Newman, B., Saint Hildegard of Bingen Symphonia, Cornell University Press, New York 1988.Google Scholar
Peacock, Jezic D., Women Composers The Lost tradition found, The Feminist Press New York 1988.Google Scholar
Reich, Nancy B., Clara Schumann The Artist and the Woman, Oxford University Press, 1989.Google Scholar
Tillman, J. B.Light the Candles, Cambridge University Press, 1991.Google Scholar
Tillman, J. B.Mrs Macaroni, Macmillan, Basingstoke, 1985.Google Scholar
Tillman, J. B. (Ed.) Thirty-Two Galliard Spirituals, Stainer and Bell, London, 1982.Google Scholar