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Women's Ways of Knowing

Published online by Cambridge University Press:  18 December 2008

Abstract

The article explores reasons for the absence of women from the world of professional music making. The processes of women's music making are examined, especially oral transmission, communal creation and ownership, its relation to everyday living, and holistic approaches to its role in education. These are illustrated by examples drawn from composers such as Hildegard of Bingen and Clara Schumann, and traditional sources, together with education and good practice in a variety of areas.

Type
Research Article
Copyright
Copyright © Cambridge University Press 1993

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