Hostname: page-component-848d4c4894-2xdlg Total loading time: 0 Render date: 2024-07-05T21:56:22.407Z Has data issue: false hasContentIssue false

The role of spirituality in learning music: A case of North American adult students of Japanese music

Published online by Cambridge University Press:  28 May 2012

Koji Matsunobu*
Affiliation:
Level 4, Zelman Cowen Building, University of Queensland, Brisbane QLD 4072, [email protected]

Abstract

In this paper the role of spirituality in learning music for North American adult students is explored by examining the case of shakuhachi music. One distinctive character of engaging in music through the shakuhachi is that it facilitates the attainment of an ‘optimal relationship’ between the practitioners’ musical pursuit and self-cultivation through a ‘simple’ media, such as a single tone. The findings indicate that spirituality could be experienced regardless of one's musical skills or the level of outward expression. A second characteristic is that both experienced players and beginners could experience what the spirituality of music means through certain forms of music practice, including the shakuhachi practice, which followed the principle of ‘less is more’.

Type
Research Article
Copyright
Copyright © Cambridge University Press 2012

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

AVERILL, G. (1996) Global imaginings. In Ohmann, R. (Ed.), Making and Selling Culture (pp. 203223). Hanover; Wesleyan University Press.Google Scholar
BERNARD, R. (2009) Music making, transcendence, flow, and music education. International Journal of Education and the Arts, 10 (14). Retrieved [20 January 2010] from http://www.ijea.org/v10n14/.Google Scholar
BOYCE-TILLMAN, J. (2000) Sounding the sacred: music as sacred site. In Harvey, G. & Ralls, K. (Eds.), Indigenous Religious Musics (pp. 136166). Aldershot, UK: Ashgate.Google Scholar
BOYCE-TILLMAN, J. (2004) Towards an ecology of music education. Philosophy of Music Education Review, 12 (2), 102125.CrossRefGoogle Scholar
BRAND, M. (2002) An ethnographic study of Hong Kong and American music education students. Contributions to Music Education, 29 (2), 4765.Google Scholar
CAMPBELL, L. (2003) Portraits of Visual Artist/Teachers: Spirituality in Art Education. Unpublished doctoral dissertation, University of Illinois at Urbana-Champaign.Google Scholar
CARRETTE, J. R. & KING, R. (2005) Selling Spirituality: The Silent Takeover of Religion. New York: Routledge.Google Scholar
CSIKSZENTMIHALYI, M. (1990) Flow: The Psychology of Optimal Experience. New York: Harper and Row.Google Scholar
COFFEY, A. & ATKINSON, P. (1996) Making Sense of Qualitative Data: Complementary Research Strategies. London: Sage.Google Scholar
DENZIN, N. K. (2001) Interpretive Interactionism (2nd edition). Thousand Oaks, CA: Sage.CrossRefGoogle Scholar
ERRICKER, J., OTA, C. & ERRICKER, C. (2001) Spiritual Education: Cultural, Religious and Social Differences. Brighton: Sussex Academic Press.CrossRefGoogle Scholar
GRADLE, S. (2007) Spiritual ecology in art education: a re-vision of meaning. In Bresler, L. (Ed.), The International Handbook of Research in Arts Education (pp. 15011516). New York: Springer.CrossRefGoogle Scholar
GUTZWILLER, A. (1974) Shakuhachi: Aspects of History, Practice and Teaching. Unpublished doctoral dissertation, Wesleyan University, Middletown, CT.Google Scholar
GUTZWILLER, A. (1984) The shakuhachi of the Fuke-Sect: Instrument of Zen. World of Music, 26 (3), 5365.Google Scholar
HAY, D. & NYE, R. (1998) The Spirit of the Child. London: Fount.Google Scholar
HAYS, T., BRIGHT, R. & MINICHIELLO, V. (2002) The contribution of music to positive aging: a review. Journal of Aging and Identity, 7 (3), 165175.CrossRefGoogle Scholar
HESMONDHALGH, D. (1998) Globalisation and cultural imperialism: a case study of the music industry. In Kiely, R. & Marfleet, P. (Eds.), Globalisation and the Third World (pp. 163183). London: Routledge.Google Scholar
HO, W. P. (2001) The prospects of spirituality in a globalized, technologized world. In Erricker, J., Ota, C. & Erricker, C. (Eds.), Spiritual Education: Cultural, Religious and Social Differences (pp. 170183). Brighton: Sussex Academic Press.CrossRefGoogle Scholar
HOWARD, G. (1992) On the ‘religious’ in music: Zen and the shakuhachi. In Bebbington, W. A. & Gustavson, R. (Eds.), Sound and Reason: Music and Essays in Honour of Gordon D. Spearritt (pp. 2937). Brisbane, Australia: Faculty of Music University of Queensland.Google Scholar
IRWIN, R. (2007) Prelude: Plumbing the depths of being fully alive. In Bresler, L. (Ed.), The International Handbook of Research in Arts Education (pp. 14011404). New York: Springer.CrossRefGoogle Scholar
KEISTER, J. (2004) The shakuhachi as spiritual tool: a Japanese Buddhist instrument in the West. Asian Music, 35 (2), 99131.Google Scholar
LAWRENCE, R. L. (2005) Artistic Ways of Knowing: Expanded Opportunities for Teaching and Learning. New Directions for Adult and Continuing Education, No. 107. San Francisco: Jossey-Bass.Google Scholar
LEE, R. (1992) Yearning for the Bell: A Study of Transmission in the Shakuhachi Honkyoku Tradition. Unpublished doctoral dissertation, University of Sydney.Google Scholar
LONDON, P. (1989) No More Secondhand Art: Awakening the Artist Within. Boston: Shambhala.Google Scholar
MATSUNOBU, K. (2007) Japanese spirituality and music practice: art as self-cultivation. In Bresler, L. (Ed.), The International Handbook of Research in Arts Education (pp. 14251437). New York: Springer.CrossRefGoogle Scholar
MERRIAM, S. B & BROCKETT, R. G. (1997/2007) The Profession and Practice of Adult Education: An Introduction. San Francisco, CA: Jossey-Bass.Google Scholar
MILLER, J. P. (2005) Introduction: holistic learning. In Miller, J. P., Karsten, S., Denton, D., Orr, D. & Kates, I. C. (Eds.), Holistic Learning and Spirituality in Education: Breaking New Ground (pp. 16). Albany: State University of New York Press.CrossRefGoogle Scholar
NODDINGS, N. (2003) Happiness and Education. New York: Cambridge University Press.CrossRefGoogle Scholar
PALMER, A. J. (2006) Music education and spirituality: a philosophical exploration II. Philosophy of Music Education Review, 14 (2), 143158.CrossRefGoogle Scholar
PITTS, S. (2005) Valuing Musical Participation. Aldershot: Ashgate.Google Scholar
SCHUTZ, A. (1971) Making music together: a study in social relationship. In Broderson, A. (Ed.), Alfred Schutz: Collected Papers, Volume II. The Hague: Nijhoff.Google Scholar
SHAHJAHAN, R.A. (2004 a) Centering spirituality in the academy: toward a transformative way of teaching and learning. Journal of Transformative Education, 2 (4), 294312.CrossRefGoogle Scholar
SHAHJAHAN, R. (2004 b) Reclaiming and reconnecting to our spirituality in the academy. International Journal of Children's Spirituality, 9 (1), 8195.CrossRefGoogle Scholar
SHIMURA, S. (2002) Kokan shakuhachi no gakkigaku [The study of old style shakuhachi instruments]. Tokyo: Shuppan geijutsusha.Google Scholar
TAYLOR, T. D. (1997) Global Pop: World Music, World Markets. New York: Routledge.Google Scholar
TOBIN, J. J., WU, D. Y. H., & DAVIDSON, D. H. (1989) Preschool in Three Cultures: Japan, China, and the United States. New Haven: Yale University Press.Google Scholar
TURNER, V. W. (1979) Process, Performance, and Pilgrimage: A Study in Comparative Symbology. New Delhi, India: Concept.Google Scholar
VAN NESS, P. H. (1996) Spirituality and the Secular Quest. New York: Crossroad.Google Scholar
WITZ, K. (2006) The participant as ally and essentialist portraiture. Qualitative Inquiry, 12 (2), 246268.CrossRefGoogle Scholar
WITZ, K. G., GOODWIN, D. R., HART, R. S. & THOMAS, H. S. (2001) An essentialist methodology in education-related research using in-depth interviews. Journal of Curriculum Studies, 33 (2), 195227.CrossRefGoogle Scholar