Hostname: page-component-cd9895bd7-jn8rn Total loading time: 0 Render date: 2024-12-23T15:52:31.692Z Has data issue: false hasContentIssue false

The Role of Graded Examinations in Music

Published online by Cambridge University Press:  18 December 2008

Abstract

The perceived benefits of graded examinations are compared with the actual benefits that they bring and are then weighed against the more general and widely accepted desirable outcomes of musical education in Great Britain. The syllabus of a typical graded examination is analysed in some detail and the conclusions drawn suggest that the time-honoured format of graded examinations serves only some of the musical needs of pupils. Some radical suggestions for up-dating examinations are discussed.

This article is based on some of the materials prepared for the certificate course: Music Teaching in Private Practice to be mounted by the University of Reading Department of Arts and Humanities in Education in collaboration with the Incorporated Society of Musicians.

Type
Research Article
Copyright
Copyright © Cambridge University Press 1994

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References and other relevant sources

Elliott, D. (1987) Assessing music performance. British Journal of Music Education, 4, 2, 157183.CrossRefGoogle Scholar
Harvey, J. (1994) These Music Exams. Associated Board of the Royal Schools of Music.Google Scholar
Peggie, A. (1994) The External Music Examining Boards. London:Rhinegold Publishing Ltd.Google Scholar
Pratt, G. & Henson, M. (1987) Aural teaching in the first year of tertiary education: an outline for a course. British Journal of Musical Education, 4, 2, 115137.CrossRefGoogle Scholar
Round, M. (1994) Notes for the 1994 Associated Board Piano Exams. London:Rhinegold Publishing Ltd.Google Scholar
Schenck, R. (1989) Above all, learning an instrument must be fun! British Journal of Music Education, 6, 1, 335.CrossRefGoogle Scholar
Sloboda, J. (1994) Do graded examinations help children's musical development? Libretto (the Journal of the Associated Board of the Royal Schools of Music), 05, 1994, 89.Google Scholar
Stravinsky, I. & Craft, R. (1962). Expositions and Developments. London:Faber & Faber.CrossRefGoogle Scholar