From its inception in 1971, the National Festival of Music for Youth has grown to become the largest regular platform for young musicians in Europe (over 700 entries in 1984, amounting to some 20,000 performers). Its development and growth has closely paralleled the rise of in-school instrumental tuition in England and Wales, and in recent years entries to the Festival have included activities from almost every aspect of music making by young people at all educational levels.

This article will outline from both statistical and observational bases the evolution of the NFMY, arguing that, far from merely reflecting trends in music education, it has become a positive means of influence.

The author has been privileged to hear all performances at national level since 1977 (with exceptions from 1982 when multiple venues and simultaneous performances were introduced). He has been present at most of the regional auditions since 1982.