Music sociology has addressed the history of the musical canon, taste and social exclusion. It has also addressed issues of musical value and the perceptual politics of musical reputation. More recently, it has developed perspectives that highlight music's ‘active’ properties in relation to social action, emotion and cognition. Such a perspective dispenses with the old ‘music and society’ paradigm (one in which music was typically read as distanced from and ‘reflecting’ social structure) and points to core concerns in sociology writ large and to educational concerns with music's role as a socialising medium in the broadest sense of that term.