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Difference in instrumental tuition in higher music education: towards an analytical framework

Published online by Cambridge University Press:  27 March 2025

Jon Helge Sætre Open the ORCID record for Jon Helge Sætre [Opens in a new window] ,
Morten Carlsen  and
Henrik Holm Open the ORCID record for Henrik Holm [Opens in a new window]
Jon Helge Sætre*
Affiliation:
Department of Music Education and Music Therapy, Norwegian Academy of Music, Oslo, Norway
Morten Carlsen
Affiliation:
Department of Strings and Harp, Norwegian Academy of Music, Oslo, Norway
Henrik Holm
Affiliation:
Department of Art, Design and Drama, Oslo Metropolitan University, Oslo, Norway
*
Corresponding author: Jon Helge Sætre; Email: [email protected]
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Abstract

Instrumental tuition is by many seen as the cornerstone of higher music education (HME) performance programmes. An increasing body of research looks into its strengths and weaknesses and calls for development in a number of ways. This study contributes to this debate by exploring the ways in which international instrumental tuition practices are different, however limited to Western classical music practices. The article reports on a qualitative interview study of 12 students with experiences from 11 countries across America, Europe and Asia. Analysis of the interview data suggests that instrumental tuition practices are different when it comes to teacher positions, lesson formats and social organisation, responsibility and student voice and subject matter foci. These differences seem to correspond to social, musical and pedagogical structures and assumptions, and they could, as a result, be seen as differences on an international, institutional and individual level. The study suggests further that instrumental tuition practices could be seen as various manifestations of and negotiations between two broad archetypes in education: a teacher-centred archetype and a student-centred archetype. Increased knowledge about the variety of instrumental tuition practices is potentially a crucial matter in the field of HME, not the least due to power issues, and the study provides an analytical framework to analyse international, institutional and individual practices.

Keywords

Musical instructioninstrumental tuitionhigher music educationinternational studiespowerone-to-one tuition
Type
Article
Information
British Journal of Music Education , First View , pp. 1 - 15
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Copyright
© The Author(s), 2025. Published by Cambridge University Press

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