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Psychology for Musicians: Understanding and Acquiring the Skills by Andreas C. Lehmann, John A. Sloboda & Robert H. Woody. New York: Oxford University Press, 2007. 268 pp., £17.99 hardback. ISBN 0195146107

Published online by Cambridge University Press:  03 June 2009

FREYA BAILES*
Affiliation:
MARCS AUDITORY LABORATORIES, UNIVERSITY OF WESTERN SYDNEY, AUSTRALIA

Abstract

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Type
Book Review
Copyright
Copyright © Cambridge University Press 2009

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References

ALEMAN, A., BÖCKER, K. B. E., HIJMAN, R., DE HAAN, E. H. F. & KAHN, R. S. (2003) ‘Cognitive basis of hallucinations in schizophrenia: role of top-down information processing’, Schizophrenia Research, 64 (2–3), 175–85.CrossRefGoogle ScholarPubMed
BAILES, F. (2007) ‘The prevalence and nature of imagined music in the everyday lives of music students’, Psychology of Music, 35 (4), 555–70.CrossRefGoogle Scholar
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REISBERG, D. (1992) Auditory Imagery. Hillsdale, NJ: Lawrence Erlbaum Associates.Google Scholar
SLOBODA, J. A. (1986) The Musical Mind: The Cognitive Psychology of Music. Oxford: Oxford University Press.CrossRefGoogle Scholar