Published online by Cambridge University Press: 18 December 2008
With the introduction of the new Revised Higher Grade Examination in Music, the proposed Certificate of Sixth Year Studies in Music and the plethora of modules and short courses available from the Scottish Vocational and Educational Council and the Scottish Examination Board, teachers now have the opportunity to tailor courses to suit individual student needs. Those involved in planning have been meticulous in ensuring that performing, inventing and listening are present at all stages of certification. This ‘comprehensive musician’ approach ensures that students have breadth of experience in playing more than one instrument and that they are all involved in inventing – improvising, composing or arranging. In addition, having adopted a concept-based approach to the acquisition of knowledge and understanding, the whole process is very clearly associated with the philosophy of the ‘spiral’ curriculum.
1 Curriculum Paper 16 (1978). Scottish Office Education Department. HMSO.Google Scholar
2 Standard Grade Arrangements in Music (1988). Scottish Examination Board.Google Scholar
3 Revised Arrangements in Music: Higher Grade after 1991 (1990). Scottish Examination Board.Google Scholar
4 Effective Secondary Schooling (1985). Scottish Office Education Department. HMSO.Google Scholar
5 Principal Examiners Report (1988). Scottish Examination Board.Google Scholar
6 Music: Papers from the National Inservice Course – Revised Higher (1990). Scottish Consultative Council on the Curriculum.Google Scholar
7 Certificate of Sixth Year Studies – Joint Working Party Report on Music (1992). Scottish Examination Board.Google Scholar
8 Report of the Committee to review curriculum and examinations in the fifth and sixth years of Secondary Education [The Howie Report] (1992). Scottish Office Education Department.Google Scholar