We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)
References
Brennink, A.1986. Chromatic Notation: A Graphical Representation of Music.Montreux, Switzerland, Edition Chroma.Google Scholar
Curwen, J.1841. How to Read Music and Understand It. Staff Notation and Tonic Sol-Fa. London, J. Curwen & Sons. [Cited by Read, 1987, p. 349-360].Google Scholar
Forte, A.1973. The Structure of Atonal Music. London: Yale University Press.Google Scholar
Hegyi, E.1975. Solfege According to the Kodaly-Concept.Kecskemet, Kodaly Pedagogical Institute.Google Scholar
Hindemith, P.1941. Exercises in Two-Part Writing. London, Schott.Google Scholar
Hundoegger, A.1938. Leitfaden der Tonika Do-Lehre, mit ergdnzenden Aufsatzen (7th edition). Hannover.Google Scholar
Lajos, B.1967. Javaslat a tizenketfoku hangrendszer uj irasmodjara (Recommendation for a new way of notating the twelve-tone system), Magyar ZeneVIII, 4, 410–407. [Cited by Read, 1987, p. 366–367].Google Scholar
Parncutt, R. & Stuckey, R.1992. Towards a standard alternative notation and terminology based on the chromatic scale. Musikometrika, 4, 117–143.Google Scholar
Pot, C.1931. What is Klavarskribo?Slikkerveer, Holland, Klavarskribo Institute. [Postal address: Postbus 39, 2980 AA Ridderkerk, Holland; cited in Read, 1987, p. 74–77].Google Scholar
Read, G.1987. Source Book of Proposed Music Notation Reforms.New York, Greenwood.Google Scholar
Swinburne, W. H.1984. New Curwen Method, Book 3. London, Stainer and Bell.Google Scholar
Yasser, J.1932. A Theory of Evolving Tonality.New York, American Library of Musicology.Google Scholar