Published online by Cambridge University Press: 05 January 2009
In this paper I analyse some resources for the history of manipulative skill and the acquisition of knowledge. I focus on a decade in the life of the ‘ingenious’ Robert Hooke, whose social identity epitomized the mechanically minded individual existing on the interface between gentleman natural philosophers, instrument makers and skilled craftsmen in late seventeenth-century London. The argument here is not concerned with the notion that Hooke had a unique talent for working with material objects, and indeed my purpose is to rethink the ways in which we account for such virtuosity. In this vein, I do not adopt solely a realist or constructivist attitude to skill but seek to show how, in a purposeful way, Hooke drew from the resources of techniques and information made available to him by his social interaction with labourers, servants, craftsmen, gentlemen and noblemen. In Hooke's local culture, intelligence flowed between the sites where these individuals worked and socialized. I examine the practical, social and situational links between the worlds of the coffee house, the workshop and the rooms of the Royal Society at Arundel House (between 1667 and 1674) and Gresham College. From this perspective, there were no rigid boundaries between the domains of natural philosophy, banausic culture and construction work on which Hooke was engaged, and I argue that we should examine his world in term of a series of networks of capital exchange comprised of finance, social power and mechanical expertise.
1 ‘News from the coffeehouse’ (1677), cited in Timbs, J., Clubs and Club Life in London, London, 1899, 288.Google Scholar
2 Since I stress the significance of information gleaned from face-to-face interactions, I do not pay much attention to the importance of the printed text as a source of Hooke's knowledge. For remarks on Hooke's reading in the 1670s, see Rostenberg, L., The Library of Robert Hooke: The Scientific Book Trade of Restoration England, Santa Monica, CA, 1989Google Scholar. For historical accounts of skill see More, C., Skill and the Working Class, 1870–1914, London, 1980Google Scholar; Rule, J., ‘The property of skill in the period of manufacture’, in The Historical Meanings of Work (ed. Joyce, P.), Cambridge, 1989, 99–118Google Scholar, and the papers published by Wood, S. (ed.), in The Degradation of Work? Skill, Deskilling and the Labour Process, London, 1982.Google Scholar
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18 See Knoop, D. and Jones, G. P., The London Masons in the Seventeenth Century, Manchester, 1935, 5–7Google Scholar; Colvin, , op. cit. (17), 206Google Scholar, and Reddaway, , op. cit. (17)Google Scholar. Evelyn's plan for a post-Fire London can be found in De Beer, E. S. (ed.), London Revived: Consideration for its Rebuilding in 1666. Oxford, 1938.Google Scholar
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21 Hunter, and Scharfer, , op. cit. (3), 292–3Google Scholar; Diary, 66, 87, 107, 116, 120, 160, 163, 179, 208.Google Scholar For the significance of Wren's models and draughts, see the texts edited by A. T. Bolton and H. D. Henry and published in twenty volumes by the Wren Society from 1923–24 to 1943, but especially vols. 1–3, 5, 13 and 16 (which contains an account of the models) and Downes, K., Christopher Wren, London, 1971, 159–68, especially 160–1Google Scholar, and Bennett, J., The Mathematical Science of Christopher Wren, Cambridge, 1982, 87–124.Google Scholar For the reconstruction of St Paul's, see Lang, J., Rebuilding St. Paul's after the Great Fire of London, Oxford 1956.Google Scholar
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23 Diary, 96, 107, 108, 116, 120, 123, 130, 150, 158, 164, 167, 173, 182, 225, 228Google Scholar; and Espinasse, , op. cit. (4), 104–5Google Scholar (for Wren's ‘modules’). On 29 September 1674, Hooke noted that ‘Sir W. Petty was desird to draw up a new module of Royal Society’, Diary, 124.Google Scholar The carpenters Bates and Audley received £90 for the three turrets, while John Hayward received £440 for the roof, lantern and bracketting, ibid., 225, 228 (the entry for 26 April records ‘At Bedlam committee, turret lanthorn put up concluded’).
24 Diary, 128, 119, 121, 126, 127, 139.Google Scholar The ‘module’ that his servant Harry began on 26 November was probably the machine with sails which Hooke was intending to show to the Royal Society, on which he had worked with Shortgrave on the 19th (ibid., 131, 132), and which interested him throughout the 1670s.
25 Diary, 139, 144, 145, 149, 153, 160, 168, 193.Google Scholar On 23 October 1666 Oldenburg told Boyle that parliament had not yet decided how to raise money for reconstruction, ‘nor is the modell as yet agreed upon by weh ye Citty is to be rebuilded’, suggesting that ‘model’ could sometimes be used in the sense of a general plan. Cf. Hall, and Hall, , op. cit. (4), iii, 274.Google Scholar Hooke's principle of arches was that of the utility of the inverted catenary which he put into cipher in an appendix to his Helioscopes, London, 1676.
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30 Birch, , op. cit. (8), iii, 378, 386Google Scholar (my italics); Diary, 337, 341.Google Scholar
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33 Diary, 172, 173, 177, 179, 182, 183Google Scholar; Bolton, and Henry, , op. cit. (21), v, 47–8.Google Scholar Bird was entitled ‘Coppersmith’ in accounts records, ibid., 50. Hooke was also supposed to be arranging for workmen to complete the iron balcony railing around the top.
34 Diary, 184, 186, 187, 189, 192Google Scholar; Bolton, and Henry, , op. cit. (21), v, 48.Google Scholar
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36 Diary, 224, 225, 235Google Scholar; Bolton, and Henry, , op. cit. (21), v, 49.Google Scholar On 13 May 1676 Hooke had seen ‘Woodroofs prints, Richeleu and Sorbon’ at Garaways; cf. Diary, 232.Google Scholar
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